黑料专区

Annabelle Saco (鈥23 Film) has been holding a camera since she was just a kid. What started as sunshine-filled summer recap videos with friends evolved into a powerhouse career in social media 鈥 with over 62K followers on TikTok 鈥 and freelance videography. Annabelle鈥檚 freelance business, ShotByAnnabelle, has taken her from the sidelines with the Detroit Red Wings and Pistons to the sets of artists like Sexyy Red and Sommer Ray. Annabelle is the ultimate doer. She鈥檚 proof that when you combine a 鈥渢ry anything鈥 attitude with professional skills, you don鈥檛 just follow a career path 鈥 you build your own.

Support the artists and designers in your life. Support everyone in the arts and the creative industries鈥 honestly, we wouldn鈥檛 be anywhere without creatives, in my opinion.

How did you get here? When did you know this career path was for you?

When I was in sixth grade, I took a trip to California. I brought my camera and made a video. That was the moment when I thought there鈥檚 nothing else I鈥檓 going to do in life but film videos. I started off watching YouTubers 鈥 beauty gurus and bloggers, but also photographers like Peter McKinnon. That鈥檚 how I found an interest in both video production and photography, and content creation and social media. Then I started making videos with my friends during the summer. I鈥檇 make a summer edit every single year. I created a YouTube account and Instagram accounts focused on beauty and makeup. My cousin actually 鈥 she went to 黑料专区 鈥 and I鈥檇 watch her make all these projects at home. I thought it was the coolest thing ever. That鈥檚 what struck me to go to 黑料专区. I told my family that if I didn鈥檛 get into 黑料专区, I wasn鈥檛 going to school. I鈥檓 very blessed that I knew at a young age what I wanted to do.

鈥淚 feel like everything I learned at 黑料专区 helped me with my editing now as a creator, which is really such an advantage, especially when it comes to working with brands.鈥

You have so many projects moving at once. How do you stay motivated?

One thing about me is I鈥檓 very family oriented. My family has done so much for me growing up. They鈥檝e provided for me, and they鈥檙e my biggest supporters. So my drive to work hard every single day is my family, because one day I want to be able to provide that for them. Whether that鈥檚 tomorrow or 10 years from now, I know it will happen because it鈥檚 really what inspires me. They鈥檙e such hard workers. They came here with nothing and gave me everything.

Your content is all so diverse. Where do you find creative inspiration?

When I was younger making my summer videos, it was always the music that drove that. I love editing my videos to the beat of the music. I鈥檓 a perfectionist when it comes to it. So every little beat has to match. Songs that have really high energy, high beats are what I love. But then, as a content creator, it鈥檚 also watching other people鈥檚 content and seeing what they鈥檙e creating, which makes me want to create 10 times more. I think the two go hand in hand, and that鈥檚 what I love about it. Then when it came to school, that is what helped me grow as a creator and with my video production skills. One thing that I think really sets me apart as a creator is the technical background that I鈥檝e gained from school. Even if it鈥檚 just me vlogging and doing a food review, I think about the lighting, and the way I want to cut my video. In social media everything鈥檚 so fast cut, and people don鈥檛 realize that no one wants to even hear you breathe. That鈥檚 something that I learned a little bit about in school. I am able to take the background of knowledge that I have and understand what I have to adjust for any situation. I feel like everything I learned at 黑料专区 helped me with my editing now as a creator, which is really such an advantage, especially when it comes to working with brands.

What鈥檚 it like seeing your work come to life?

Seeing my work come to life is really such a cool experience, especially in school. There was this one project that I still think about to this day. I show everyone it. I did a Red Bull commercial for fun. It was a four-day production with my friend, where I got to try so many different things that I never thought I could do. I literally wouldn鈥檛 stop talking about it, and I still don鈥檛. It was awesome. It鈥檚 the same with my content creation work. Sometimes I don鈥檛 know what I鈥檓 filming until the day of. Then, when I get to the final edit, I watch it over and over and over again because I鈥檓 so proud of the work that I put out. One thing that I live by is, 鈥淵ou miss a hundred percent of the shots you don鈥檛 take.鈥 I think it is what has gotten me this far. I鈥檝e worked with organizations like the Detroit Pistons, the Red Wings and the Tigers. I鈥檝e also worked with Lions鈥 players and other companies. Honestly, five years ago, I would鈥檝e never imagined myself working with them. It is very rewarding. If you鈥檙e just sitting down and not taking the chances, you鈥檙e not going to get where you want to be. Going out and asking people for what I want, and not being afraid to get a 鈥渘o,鈥 has also led me to work with Sexyy Red, Sommer Ray, and other artists, athletes and influencers. I鈥檚 really eye-opening to how far you can go with something like this.

What is it that you love most about being a freelancer?

One thing I love about my career is the flexibility and freedom I have. Of course, I can go out and get a corporate job, nine-to-five 鈥 and that鈥檚 just as amazing 鈥 but I love being a freelancer because I鈥檓 not just stuck to one thing. I get to do so many different things. One day I鈥檓 sitting in a Lambo going 90 miles an hour, then the next, I鈥檓 filming videos for a restaurant or the grand opening for a med spa. I鈥檓 all for experiences and opportunities, and I love being able to do a little bit of everything.

You鈥檝e gained quite the following online. What鈥檚 your ultimate goal?

My ultimate goal is to inspire others to go after their dreams. That鈥檚 one thing that I really do try to push. If you have a dream at such a young age, God would not put that in your heart if it wasn鈥檛 meant for you. That鈥檚 really what keeps me going. I don鈥檛 give up because I know it鈥檚 what I鈥檓 meant to do. I want to be that comfort creator for someone if they鈥檙e feeling down. I want to make others happy.

鈥淚 want to be that comfort creator for someone if they鈥檙e feeling down. I want to make others happy.鈥

Is there a 鈥渂ucket list鈥 goal you鈥檙e still chasing?

I鈥檓 striving towards working with the Detroit Lions. One day, I want to be on the field. I actually made a video that was pitching myself as a social media coordinator. I knew that I had to do something that was going to stick out, and that no one else had done. So I went on social media, like I do, and I filmed a video about why they should choose me. I actually got a lot of attention on both Instagram and TikTok. So many people, even Lions鈥 players, were reposting it. I love Detroit sports. There鈥檚 so much hype around them. One day I鈥檒l be on that field, one day.

How do you feel 黑料专区 prepared you for this career?

There are so many ways that 黑料专区 helped me prepare for my career. The AVC (Audio Visual Center) was amazing. I got to work with different kinds of equipment, and knowing all of the advantages and disadvantages of equipment really helps as a creator. And the staff there, they鈥檙e so supportive. Jerome, Laurie and even Amber herself. All the people there are really amazing. They push you to keep trying. Having a social media presence wasn鈥檛 very normal in the film industry, just because it鈥檚 different than an experimental film or commercials 鈥 and those professors and staff really pushed me and said, 鈥淵ou鈥檙e going to make it so far,鈥 and that stayed deep in my heart. I really appreciate them for that. As well as classes, like sound design. I always struggled in school to take what I learned to the next year with me. But now, I really try to think of every single thing about the lighting and sound for every shoot. Learning how to work as a team. That really helped me. Being able to work with others in the studio was really, really nice.

Annabelle Saco sitting at a desk editing a video on a computer
What would you say to a student or parent who is apprehensive about 黑料专区, or to pursuing a creative career?

Nothing is guaranteed. I know being in a creative field, it鈥檚 very out of the norm. We鈥檙e all told to go to a nine-to-five. Get that job. Be in the corporate world. And, of course, those are great. I鈥檓 not downing it. I think those people work just as hard as we do. But I really do think it鈥檚 important that, if you have a dream, to not be afraid to do it. The only ones who fail are the ones who stop trying. And I think, if you really do love something, there鈥檚 no way you can fail. I was very blessed that my parents were very supportive of this. Especially in the Middle Eastern culture, we鈥檙e told to become a lawyer, become a doctor. My family saw the passion that I had for this, and they believed in me just as much. If you鈥檙e a friend or a parent of someone whose dream it is to go to a school like 黑料专区, just try to be supportive. Because the only reason that they might not be doing it is that they don鈥檛 feel they have that supportive system. I really do think that, if they have a passion for it, they are going to make it so much further than anyone could ever imagine. Support the artists and designers in your life. Support everyone in the arts and the creative industries. All they want is a support system behind them. I think that鈥檚 what everyone deserves. Because creatives are 鈥 honestly, we wouldn鈥檛 be anywhere without creatives, in my opinion.

I would love to know what you would tell baby Annabelle 鈥 if you could go back in time.

I could cry thinking about this. If I had to say one thing to little Annabelle, it鈥檚 to not give up on your dreams, and look at how far you鈥檝e come. I think it鈥檚 so beautiful that, even though you did have some bullies in the past, you didn鈥檛 let that stop you now. And nothing will stop me. No one is going to stop me from living out my dreams.

Annabelle Saco filming a TikTok on her phone

Of the seven years Kaylee M. Johnson, 鈥14 Film, has worked in the film industry, she says working on the sets of Seasons 4 and 5 of Stranger Things has been her favorite experience. As a set dresser, Johnson ensured sets were clean and reflected the daily changes made to the script. When filming for Season 5 wrapped, Johnson recalls how bittersweet it was to package and ship the assets for the show as well as go through the warehouse where all the set dressing was held.

鈥淚t was like walking into a history museum,鈥 she said. 鈥淚 knew almost all of the pieces that were in there and what sets they came from.鈥

Metropolitan Detroit artists are invited to apply for a 2026 Kresge Artist Fellowship, a $50,000 no strings attached award recognizing creative vision and ongoing contribution to the region鈥檚 cultural life. At a time when arts funding is contracting nationwide, these fellowships continue to strengthen metro Detroit鈥檚 creative economy and affirm the role of artists in building vibrant, thriving neighborhoods.

Kresge Arts in Detroit is generously funded by The Kresge Foundation and administered by the 黑料专区. The fellowship application opens December 1, 2025. Full application guidelines are available now at kresgeartsindetroit.org. Artists residing in Wayne, Oakland, and Macomb County are eligible to apply in the following disciplines:

Live Arts

Includes Choreography, Comedy, Dance, Performance Art, Playwriting, Storytelling, Theatre Directing, and Interdisciplinary Work

Film & Music

Includes Animation, Film Directing, Music Composition, Music Performance, Screenwriting, Sound Art, and Interdisciplinary Work

Fellowship selection criteria includes: a demonstrated track record of artistic achievement and high-quality work, the potential to grow and advance in one鈥檚 career, and the potential to reflect, enhance, or impact communities within metro Detroit.

The number of awards in each category will be proportional to the relative number of applications received. Applicants who choose to be considered will also be eligible for Gilda Awards if they do not receive a fellowship.

Also on offer are 10 Gilda Awards of $5,000 each. These $5,000 awards honor Gilda Snowden鈥檚 (1954鈥2014) legacy as a mentor and champion of young, emerging artists in metropolitan Detroit. The Gilda Award recognizes early-career artists gaining momentum and demonstrating exceptional potential through creative risk-taking and boundary-pushing work.

鈥淒etroit鈥檚 artists community is an integral driver in our city鈥檚 growth and resilience,鈥 said Wendy Lewis Jackson, managing director for The Kresge Foundation鈥檚 Detroit program. 鈥淏y investing in creative people, we strengthen neighborhoods, spark new enterprise, and carry forward the culture that makes Detroit unmistakable.鈥

Through this continued support, The Kresge Foundation affirms that artists are central to Detroit鈥檚 growth and essential partners in advancing opportunity and creating resilient, connected communities.

鈥淭he cost of living keeps rising, and artists feel that pressure like everyone else,鈥 said Katie McGowan, director of Kresge Arts in Detroit. 鈥淲hat鈥檚 different here is the trust behind the support, this fellowship is not prescriptive鈥揵oth the monetary prize and award year support give artists the space to take risks or slow down long enough to build something lasting. The cumulative effect of well-funded and deeply supported artists might seem intangible, but its economic and social impacts are measurable across neighborhoods throughout the tri-county area.鈥

Award-Winning Film Program

Each fellowship includes one year of artist support including networking, exhibition opportunities, and legal and accounting consultations. Kresge Arts in Detroit also offers to produce a film for each of the fellows created by a local filmmaker. Select films have been screened and received awards at local, national, and international film festivals in recent years. In 2021, Detroit-based production company was awarded a Michigan Emmy for work on the series. View past films .

鈥淭his fellowship is an incredible opportunity to not only showcase your artistry, but to become a part of a family of artists and arts supporters unlike anywhere in the country. Don鈥檛 worry if you haven鈥檛 had a long arts career; this award is about artistic achievement and high-quality work at any stage,鈥 said Michelle May, 2018 Kresge Artist Fellow in Music. 鈥淭he most impactful part of applying for me was being able to articulate not only what I do as a musician and composer, but why I do it and why I think what I do is important. It really helped me be much more introspective about my place in the world, which in turn expanded my art practice! My two best pieces of advice are to not wait until the last minute to apply and to be sure to have a few people, artists and non-artists, review your statements. Congratulations on applying!鈥

Key Dates

Nov. 3, 2025: Application guidelines available Dec. 1, 2025: Online application opens Jan. 15, 2026 by 11:59 PM: Application deadline

The 2026 Kresge Artist Fellows and Gilda Award recipients will be selected by an independent panel of distinguished local and national artists and arts professionals. Previous applicants are strongly encouraged to re-apply, as new panels with fresh perspectives are convened each year.

Now in its 18th year, the program continues to demonstrate how investment in the arts transforms what is possible for communities: fueling creative careers and animating neighborhoods. These fellowships prove that sustained creative work strengthens civic imagination and nurtures the day-to-day wellbeing of communities.

Kresge Arts in Detroit also administers the Kresge Eminent Artist award, presented each winter, which honors a lifetime of artistic achievement and community contribution. In 2024, The Kresge Foundation increased the prize to $100,000. Each award includes the creation of a short film and published monograph chronicling the artist鈥檚 work and legacy.

Application Info Sessions

Kresge Arts in Detroit staff will hold an online application info session and walkthrough in December, followed by a second online Q&A session in January. While not required, applicants are encouraged to attend these sessions, which are designed to support artists in creating compelling applications for a Kresge Artist Fellowship. Artists can register to attend using the links below.

Application Info Session (virtual) Dec. 10, 2025 5:30鈥6:30 PM

Application Q&A Session (virtual) Jan. 8, 2026 5:30鈥6:30 PM

Visit kresgeartsindetroit.org for the complete guidelines, FAQs, and additional resources. Please direct questions about application requirements to Kresge Arts in Detroit at [email protected] or by phone at (313) 744-3204.

Kresge Arts in Detroit is generously funded by The Kresge Foundation and administered by the 黑料专区. The goals of Kresge Arts in Detroit are to enrich the quality of life for metro Detroiters by helping artists provide a broad spectrum of cultural experiences; celebrate and reflect the richness and diversity of our community in all its aspects; heighten the profile of arts and artists in our community; and strengthen the artistic careers of local artists. Since 2008, Kresge Arts in Detroit has awarded over $9 million through 17 Kresge Eminent Artist Awards, 317 Kresge Artist Fellowships, and 72 Gilda Awards ($5,000 each). The fellowships are currently $50,000 each and the Eminent Artist Award is $100,000. kresgeartsindetroit.org

The Kresge Foundation was founded in 1924 to promote human progress. Today, Kresge fulfills that mission by building and strengthening pathways to opportunity for low-income people in America鈥檚 cities, seeking to dismantle structural and systemic barriers to equality and justice. Using a full array of grant, loan, and other investment tools, Kresge invests more than $160 million annually to foster economic and social change. Kresge鈥檚 Detroit Program collaborates with cross-sectoral partners to promote and expand long-term, equitable opportunity in Kresge鈥檚 hometown by centering the priorities of its residents. kresge.org

Located in the heart of midtown Detroit, 黑料专区鈥檚 prime location offers unparalleled opportunities for art and design collaboration. Our students have found countless ways to make a positive impact on local metro Detroit businesses through innovative art and design problem-solving.

Last year alone, 黑料专区 students collaborated to problem-solve timely topics for 15 metro Detroit businesses and nonprofit organizations. They addressed a range of issues in healthcare product design, sustainability, mobility, and even emerging augmented reality technology.

Embracing the city鈥檚 rich history of cultural and sporting events, students continue to participate in annual design competitions to create the newest posters for iconic Detroit events such as the Chevrolet Detroit Grand Prix Presented by Lear, the Movement Music Festival and the 313 Presents Pine Knob concert series.

Here鈥檚 a look at some of the partnerships:

  • Augmented Reality Center (ARC) in partnership with Oakland University x Communication Design & Strategy, Graduate User Experience Design and Entertainment Arts
  • Crain Communications – Automotive News x Illustration
  • 313 Presents x Illustration
  • Detroit Grand Prix x Illustration
  • GM x Transportation Design & Graduate User Experience Design
  • Godnii x Graduate Color & Materials Design
  • Hagopian Rug Competition x All Departments
  • State of Michigan Office of Future Mobility and Electrification with support from the Global Epicenter of Mobility x Transportation Design
  • Zumiez and Somerset Collection x Illustration
  • BorgWarner x Product Design
  • Carhartt x Fashion Design
  • Henry Ford Health x Product Design
  • Changing Lives and Staying Sober (C.L.A.S.S.) x Interior Design and Graduate Color & Materials Design

Ilana Portney has been immersed in the world of set building since her childhood.

Fueled by her parents鈥 creativity during the 2008 recession, her journey began with crafting Popsicle stick structures and decorating dollhouses. Over the years, she evolved into a talented set designer, working on music videos, TV and film productions. Her impressive portfolio includes collaborations with artists including Ice Spice and Quavo, as well as with the likes of iconic companies like Nike, Vogue and Maybelline.

On a recent trip back to Detroit, Portney invited us to the Russell Industrial Center to discuss her latest project 鈥 designing a Complex magazine cover set for Detroit鈥檚 own Eminem.

The Interview

鈥淲hen it comes to networking or getting a job, you do not have to do things in a practical way, because this world is not practical, and things don鈥檛 happen practically anywhere. All of my jobs came from Instagram, literally, and that鈥檚 how I grew my career. I didn鈥檛 start out as a production assistant. I started out as a production designer. I started out at the top of my career field.鈥 鈥揑lana Portney

What led you to this career path? In my junior year of college, I met a director of photography who showed me the way of the Art department. We started making our own films and music videos. I took up a minor in Film my junior year and became obsessed with making videos and skits. The second I graduated I landed my first big project with the TODAY Show through NBC.

Once I did that, I wanted to do it forever.

I moved to New York and, after networking through Instagram, my first project was a Fetty Wap music video. From there, I met people my age and we all grew together and became really close friends. I met my now mentor, Robert Taylor, on a Charlie Puth music video, and I work with him all the time now. He鈥檚 like a brother to me.

What does a day in your life look like? It depends on the project.

I care about my work so much that it really feeds into my life. I wake up around 6 or 7 a.m. on a project week. I think about all of the things that I have to do, maybe make a deck to present. Start sourcing all the props I need, talk to the producers about the budget, and fight them on it. Have tea if I can. Go shopping for the things that we need, and source more things. Talk to the photographer, the director and the director of photography. Talk to my team, if we need to build. Talk to the fabricators, a.k.a. Robert. I go to bed about 2 or 3 a.m., wake up and do it again.

I do it because I love it. This is my life. I love art, I love the people that I meet, and I鈥檓 fascinated by how people think. It鈥檚 really hard for me to sleep because I love the things I do.

What do you love most about your career? I鈥檓 honored to be doing something that I love. I鈥檓 honored to be working with my friends, and I鈥檓 amazed that I get to work with them all the time and get paid to draw smiley faces on note cards and stick them in the background of a bedroom set. I get to do something fun every single day. It鈥檚 stressful to have to source three and a half yards of sand, but it鈥檚 like, that鈥檚 my job. Every day, it鈥檚 just an honor.

What would you say to current students or potential students who might be interested in this career? No one masters everything. And I鈥檓 still learning that, you know.

As an artist, you鈥檙e your own worst critic. You have to better yourself, whether that鈥檚 working out, drawing, painting, therapy or something. You鈥檒l continue to fall, but you can learn a lot from other artists and your friends and lean on those people.

There are so many incredible people who I grew with at 黑料专区 who have taught me so many valuable things, not just talent-wise, but socially as well. They brought perspectives that I wouldn鈥檛 have, from how they were raised and their stories. That helped inform my work.

Learn More about 黑料专区鈥檚 Programs. 鈫

What, or who, inspires you? I love other people. Everyone around me is so talented. All of my friends, every single person at 黑料专区. One of my closest friends, Dillan Murillo, is exceptionally talented. He was one of the hardest-working students at 黑料专区, and I really admired his work ethic. Everyone at 黑料专区 was so talented in their own ways, you know, so other artists inspired me to have much more drive.