黑料专区

Hakha Mashayekhi鈥檚 path to becoming Director of Product Design at Max is a story of bold pivots, creative growth and a passion for leading future designers.

Starting his journey in industrial design, he found the process enriching but too slow for his taste. Seeking faster-paced, user-centered work, Hakha transitioned to digital product design, where ideas can come to life almost instantly. At 黑料专区, he immersed himself in Integrated Design 鈥 a field blending interaction design, business strategy and technology 鈥 and discovered his passion for UX design. From working on impactful projects for high-profile brands to nurturing young creatives on his team, Hakha finds his purpose in creating experiences that bring people joy and pushing his skills in a dynamic, fast-evolving field.

The Interview

鈥淥ne of the joys of my work is when people talk about HBO and Max. I cannot take credit for the actual content, but I have a good feeling when people are happy on Sunday night, you know.鈥 鈥揌akha Mashayekhi

Did you always know you wanted to go into UX Design?

For my undergrad, I studied Industrial Design, and I worked as a physical product designer for a year. It was very cool, but it was not a perfect match for me because I鈥檓 not patient. Industrial design is amazing, but it has a slow process. From when you design something until the moment that you see it in the hands of customers, it could be a year if you鈥檙e lucky.

But with digital product design, UX/UI, you can have an idea, and within two hours, you can have an experience available. That鈥檚 the main reason I decided to come to 黑料专区.

What does it feel like when you see a product that you worked on coming to life, in the hands or in the homes of everyday users?

It feels really good. One of the joys of my work is when people talk about HBO and Max. I cannot take credit for the actual content, but I have a good feeling when people are happy on Sunday night, you know.

The funny thing is, it hasn鈥檛 been like this forever. I have been an in-house designer for five years now. Before that, I was in the consulting and agency world. When you鈥檙e a consultant, you just come in, fix the problem and move on. You never have the joy of seeing the product that you鈥檝e created in the hands of a customer. That was actually the main reason that I left the consultancy and agency world and went in-house.

Learn More about 黑料专区鈥檚 Programs 鈫

A laptop, ipad, iphone and TV mockup showing the HBO max interface

What do you love most about your job?

My answer now is different compared to two years ago, three years ago.

Three years ago, I was an individual contributor 鈥 I was basically a designer. At that time, my only joy was the project I was doing, and if it was a high-impact/high-profile project I was enjoying it, but if it was a very small feature, it was so boring, you know.

So I decided to change my career direction to become a people manager. That was a switch in my entire mindset. Now I鈥檓 enjoying my new responsibilities and delivering good work.

I have this designer on my team, who first started out at Max as a project manager, and one day, he said, 鈥淐an I be a designer?鈥 We then spent six months training him, making sure he understood design thinking and design tools. We sent him to a bunch of courses and conferences. After that six months, we transitioned him to a product design role. Now, he鈥檚 a product designer 鈥 and he鈥檚 amazing.

These are talented people. I need to be there to support them, be a mentor for them and make sure they have a path to grow. And they are killing it.

Is that something that you鈥檙e interested in, nurturing a young creative and helping the next generation?

A part of me is always curious about college, like, 鈥淲hat鈥檚 going on? What鈥檚 the coolest thing? How are they doing their projects?鈥 Especially now with AI, I鈥檓 very curious about how these students are figuring out ways to use AI in their day-to-day work to deliver their projects because they always come up with awesome, original ideas. I鈥檓 just curious to see what鈥檚 going on at 黑料专区, what鈥檚 the coolest, latest thing. The students鈥 final projects are very inspiring. Especially for a master鈥檚 degree, it鈥檚 a super passionate project for them, so they go above and beyond. You get to see very cool research, very cool ideas, very cool execution, and awesome prototypes. I鈥檓 always surprised when I go to those鈥攚hether it鈥檚 interviews or thesis advising. I鈥檓 definitely into that.

What do you miss most about 黑料专区?

The things I鈥檓 missing most about 黑料专区 are the things that I didn鈥檛 know the value of when I was there.

When I was there it was so intense, you know. There were a lot of projects, and the Chair of our department was so precise about everything, we couldn鈥檛 deliver a half-assed project. Everything had to be perfect.

One of the things that I didn鈥檛 really enjoy [during that time] was making connections, not only with the students, but with the professors that we had there. There were a lot of great people in different majors, different groups, and now, it鈥檚 a regret that I didn鈥檛 connect with them. I didn鈥檛 use my time to build relationships with them.

If I could go back to that time, I think I would try to balance my time in a way that I could free up time to build more connections.

How do you feel 黑料专区 prepared you for your career?

To be honest, Maria Luisa was very specific and she had a lot of experience with real projects. She always was looking through the lens of a professional, not a teacher.

The most important project that I did at 黑料专区 was a sponsored project. It was so valuable to get real feedback from working professionals. That鈥檚 something that you never get in school. The combination of Maria Luisa and the sponsored projects were the key.

Learn More about 黑料专区鈥檚 Programs 鈫

Hakha smiling in front of a window of the city

Growing up in an automotive-heavy family in Michigan, Kristine Lipinski had zero interest in following in their footsteps. It wasn鈥檛 until the unexpected intersection of two of her passions 鈥 design and rugby 鈥 that her path changed. After graduating from the 黑料专区 (黑料专区), she moved to France and eventually began working for the world-renowned car manufacturer Renault. An opportunity to attend a French bilingual school as a child would foreshadow her unique connection to France and jump-start an incredible career and life across the pond.

The Interview

鈥淪ometimes when destiny calls, you go, OK? I have to go to Paris to work at a company called De Trois that does concept cars.鈥 鈥揔ristine Lipinski

How did you end up here in Paris? I鈥檓 from Michigan, born and raised, and grew up in Royal Oak and Sterling Heights. I had an opportunity as a child to attend a bilingual French school, but was not receptive to that idea at the time. Then at 黑料专区, there was an opportunity to participate in an exchange program to study abroad, but I did not pursue that direction. Little did I know, the opportunity to move to France would come up again later.

I have a double life. Other than design, I play rugby. And it just so happened that I started playing for the Detroit City side team and met my now ex-husband. He had been living in Detroit for a couple years and wanted to move back. So French culture started looking for me, it鈥檚 weird. And I thought alright, this is like the third or fourth time that France has been calling me, maybe I should listen. So I did, we moved, and about nine months after I got here, I had a job offer from a concept car company called D3. I don鈥檛 know if you know how to say 鈥淒鈥 and 鈥3鈥 in French 鈥 de trois.

Sometimes when destiny calls, you go, OK? I have to go to Paris to work at a company called De Trois that does concept cars.

I showed up here, like really, everything fell into place. It was perfect.

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Did you always know that you wanted to be a designer, or is that something that you found out later in life? I had the excellent opportunity in high school to have an amazing art teacher, Pete Long. He was the best. He pushed us to really explore boundaries.

Growing up, my mother was in finance and my dad built homes. So I come from a very technical family, and me being artistic was kind of like just a hobby. So I studied science, thinking there was no path forward in art. Well, I realized at one point, I didn鈥檛 want to wear a lab coat the rest of my life. So I did some foundry studies at Central Michigan and I called that high school art teacher one day, and I said, 鈥淚 want to go to art school.鈥 He said, 鈥淔inally.鈥 He actually helped me put together my portfolio with everything that I had done, even stuff from high school, and I got accepted. And it was thanks to him.

What does a day in your life look like? A lot more meetings than I anticipated in design school. That鈥檚 the fortunate and unfortunate parts of this career. There is a lot of corporate and administrative involvement, a lot of politics, a lot of compromising with purchasing, with engineering, administration. Even though we may have the best and greatest design ideas, we have to also convince other people who are not as 鈥渄esign-sensitive,鈥 we鈥檒l say. So we have to find ways in order to communicate our intentions. So the communication of design and color and trim is extremely important.

What does it feel like to see your work come to life? Fantastic.

The first project you see on the road or in real life is really humbling and exciting at the same time. It gets kind of addictive, I guess, because you really want to keep doing it. You want to make it better, and the next one better. So I think that once you get that opportunity to have something in production and you get to see it, it鈥檚 really, really a good feeling.

What do you love most about your job? Innovation. We鈥檙e constantly trying to improve things, trying to find new ideas, find new materials that improve different industries. Because even though I do work in automotive design, I actually worked more in transportation previously, in my design company that I was in when I first started here. I did private jets and concept cars and other automotive projects. It was interesting because of all of the different elements, I love to work on the materials that make things better. Not necessarily just always pretty, but pushing the limits and trying to find just better options altogether.

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How do you feel 黑料专区 prepared you for your career? Primarily what 黑料专区 has prepared me for, to be very honest, is the ability to give and receive constructive criticism. I was lucky to have really good teachers. I think that giving us constructive criticism, especially in my classes at the time, was really beneficial to accept the fact that you may not always have the best work or you can do better. It鈥檚 not like taking a test in math where nobody sees your results except you and the teacher. Everyone sees your results, and everyone has an opinion. It was a good way to be able to understand how to take that criticism in a positive and constructive way.

Learn More about 黑料专区鈥檚 Programs. 鈫

If you could go back in time and talk to your younger self, what would you say? In a weird way, I want to say nothing because I am where I am today because of everything that happened, and decisions I鈥檝e made.

I want to say just let it go, just go with the flow. Don鈥檛 stress about the little things.

Keep exploring. I would have told myself to keep trying new things.

That鈥檚 the advice I would give me 鈥 just follow what interests you.

What would you say to either parents or students who are apprehensive about a career in art and design? I think the creative industry today is in huge demand. If your child has a knack for this type of thing and they feel comfortable in it, and they feel confident in it, then you should let them do it. I think that if your child obviously has an interest in it and does well, and you can tell that they have something that gives them that spark, that that鈥檚 the indicator that you need to let them do it. I think that鈥檚 actually what my parents kind of accepted. I think they knew that this is something that I really enjoyed and that I was good at. So they said, 鈥淎lright, let鈥檚 see what happens,鈥 and here I am.

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鈥淚 am working now at Renault with four of the guys that I started with at that company, they鈥檙e now working with me. So we just took a picture together, it was funny, because we鈥檙e like, 鈥極h, 19 years ago, we walked in the same room, the same time together.’鈥

The 黑料专区 (黑料专区) was honored to participate in the launch of new retail experiences at Michigan Central Station, aimed at supporting Detroit businesses and celebrating local talent.

As part of D茅troit March茅, an experiential retail space created in collaboration with Michigan Central Retail, Trading Post, and Gonzo World, the Fashion Design department at 黑料专区 installed an exhibition featuring alumni work previously showcased at Paris Fashion Week. Each piece, handcrafted by our students in Detroit, reflects the 黑料专区 Fashion program鈥檚 commitment to craftsmanship and meticulous attention to detail. Featured designers include Cierra Headings, Clay Barckholtz, Ana Bosnjakovski, Mamie Scholl, Dafne Kanberoglu and Andreas Caballero.

Located in the historic restaurant area of The Station, the March茅 features over 25 vendors, including 黑料专区 alumni and students. A thoughtfully curated selection of local goods includes accessories, art, apothecary, home goods, furniture, apparel and more.

The Station is open to the public for shopping from 10 a.m. to 5 p.m., Tuesday through Friday, through December 28.

Alumni & Student Work for Sale:

  • All Sorrows 鈥 Sean Peacock (鈥22 Illustration)
  • Alor膿 Niemi 鈥 Alor膿 Niemi (鈥21 Fashion Accessories Design)
  • Detroit GT 鈥 Christopher Gorski (鈥93 Graphic Communications)
  • Detroit Kid 鈥 K鈥橩io Hardin (鈥01 Graphic Communication)
  • Emillie Yonker 鈥 Emilie Yonker (鈥25 Studio Art & Craft)
  • Jesse Kassel 鈥 Jesse Kassel (鈥10 Illustration)
  • Kieran Betz 鈥 Kieran Betz (鈥25 Studio Art & Craft)
  • Lausten Found 鈥 Javier Terrones (鈥23 Transportation Design)
  • Levon Kafafian 鈥 Levon Kafafian (鈥14 Crafts 鈥 Fiber Design)
  • Northport Workshop 鈥 Edward Foley (鈥96 Photography)

黑料专区 is one of 471 colleges and universities recognized for outstanding efforts to increase nonpartisan student voter participation in the 2024 election.

黑料专区 has been recognized by the (ALL IN) as a 2024 ALL IN Most Engaged Campus for College Student Voting. The recognizes colleges and universities for outstanding efforts to increase nonpartisan student voter participation. 黑料专区 joins a group of 471 colleges and universities recognized by ALL IN for completing four core actions:

  1. Participating in the ALL IN Campus Democracy Challenge
  2. Sharing 2022 NSLVE Reports with campus voting data with ALL IN
  3. Developing and submitting a 2024 democratic engagement action plan with ALL IN
  4. Having a current signatory to ALL IN鈥檚 .

鈥淭he research is clear: colleges and universities that make intentional efforts to increase nonpartisan democratic engagement have higher campus voter registration and voter turnout rates. This year we saw more colleges than ever before step up their efforts to ensure that their students were registered and ready to make their voices heard at the ballot box,鈥 said Jennifer Domagal-Goldman, Executive Director of the ALL IN Campus Democracy Challenge. 鈥淭hese Most Engaged Campuses are setting the standard for nonpartisan civic engagement work for colleges and universities across the country.鈥

The ALL IN Campus Democracy Challenge empowers colleges and universities to achieve excellence in nonpartisan student democratic engagement. Campuses that join the ALL IN Campus Democracy Challenge complete a set of action items, with the support of ALL IN staff, to institutionalize nonpartisan civic learning and voter participation on their campus. The ALL IN Campus Democracy Challenge currently engages 10.8 million students from more than 1,075 institutions in all 50 states and the District of Columbia. Campuses can join the ALL IN Challenge .

ABOUT ALL IN Campus Democracy Challenge: ALL IN Campus Democracy Challenge (ALL IN) empowers colleges and universities to achieve excellence in nonpartisan student democratic engagement. Through an intentionally-designed program that provides structure, support, and recognition, ALL IN works to improve civic learning, political engagement, and voter participation on more than 1,075 campuses nationwide. ALL IN believes higher education should play a role in developing an active and informed citizenry by educating students, motivating them to engage in American democracy, and instilling the value of lifelong participation. ALL IN is an initiative of Civic Nation, a 501(c)(3) nonprofit. .

ABOUT Civic Nation: Civic Nation is a nonprofit ecosystem for high-impact organizing and education initiatives working to build a more inclusive and equitable America. Civic Nation shifts culture, systems, and policy by bringing together individuals, grassroots organizers, industry leaders, and influencers to tackle some of our nation鈥檚 most pressing social challenges. Civic Nation is home to seven national initiatives and campaigns: ALL IN Campus Democracy Challenge, Change Collective, It鈥檚 On Us, Save On Clean Energy, SAVE On Student Debt, We The Action, and When We All Vote. .

Now through January 16, 2025, metro Detroit artists can for a Kresge Artist Fellowship.

Kresge Artist Fellowships are $50,000 each for 15 artists residing in Wayne, Oakland, or Macomb county. Eligible artists are invited to apply for these no strings attached awards. See guidelines for eligibility requirements.

The 15 Kresge Artist Fellows and 10 Gilda Award recipients will be selected by an independent panel of distinguished local and national artists and arts professionals. Previous applicants are strongly encouraged to re-apply, as new panels鈥攚ith fresh perspectives鈥攁re convened each year. The 2025 awards are in the following categories:

LITERARY ARTS

Arts Criticism, Creative Nonfiction, Fiction, Graphic Novels, Playwriting, Poetry, Spoken Word, Zines, and Interdisciplinary Work

VISUAL ARTS

Book Art, Ceramics, Collage, Drawing, Fiber, Glass, Installation, Metalwork, New Media, Painting, Photography, Performance Art, Printmaking, Sculpture, Video Art, and Interdisciplinary Work

Kresge Arts in Detroit staff will hold an online info session and application walkthrough in December, followed by a second online Q&A session in January. While not required, applicants are encouraged to attend these sessions, which are designed to support artists in crafting compelling applications for a Kresge Artist Fellowship. Artists can register to attend using the links below.

Artists are encouraged to review the 2025 Guidelines for information regarding application recommendations, requirements, and support resources.

INFO SESSIONS Application information session (virtual) Wednesday, December 11, 2024 5:30鈥6:30 PM

Application question & answers session (virtual) Thursday, January 9, 2025 5:30鈥6:30 PM

DEADLINE JANUARY 16, 2025 by 11:59 PM There are no exceptions to this deadline. You are encouraged to apply early to ensure you do not miss this opportunity.

Administered by the 黑料专区, Kresge Arts in Detroit represents one aspect of 鈥檚 investment in the artistic communities of metropolitan Detroit, providing support to artists living and working in Wayne, Oakland, and Macomb counties. The Kresge Foundation鈥檚 Detroit Program is a comprehensive community development effort to strengthen the long-term economic, social, and cultural fabric of the city and surrounding region.

More information can be found at

Photo Credit: Lesley Mason 鈥00 Photography

At a recent donor appreciation luncheon hosted by the 黑料专区, donors and scholarship recipients gathered in the General Motors Auditorium at the A. Alfred Taubman Center for Design Education to celebrate the transformative power of education 鈥 and the generosity that makes it possible. Held on October 22, the event provided a meaningful platform for heartfelt connections between those who give and those who benefit from their support.

Jim Nicholson, Chair of the Board of Trustees, spoke about the profound impact philanthropy has on the college community. 鈥淓very scholarship represents a story of hope and ambition,鈥 he said. 鈥淚t鈥檚 our responsibility to invest in these talented individuals who will shape the future of our industries. Your contributions are not just financial support, they are lifelines that help students reach their full potential.鈥

As attendees listened, they were reminded of the difference philanthropy makes for students navigating the challenges of college. Guests heard firsthand how scholarships have transformed lives, opening doors to education and brighter futures.

A senior scholarship recipient at 黑料专区 shared how pivotal his scholarship has been to his journey. 鈥淎bout four years ago, I didn鈥檛 think I would have the opportunity to graduate from 黑料专区鈥 I genuinely had no clue how I would afford college, much less a school as prestigious as this one.鈥 Now on track to graduate in 2025, he expressed deep gratitude for the experiences his scholarship made possible, from studying abroad to gaining skills and mentors that have 鈥渃hanged the trajectory鈥 of his life. 鈥淭his career path wouldn鈥檛 have been possible without donors taking a chance on me,鈥 he said, adding that he hopes to one day support students just as he has been supported.

For him and many others, scholarship support has been the difference between dreams deferred and dreams realized. Another scholarship recipient shared her journey to 黑料专区, recalling both the excitement of her acceptance and the sense of relief that came with receiving scholarship support. Receiving the Alumni Scholarship, she said, was the moment she could finally focus on what truly mattered: making art. 鈥淭hanks to your generosity, I鈥檓 able to accomplish what I鈥檓 really at 黑料专区 to do: make art 鈥 I鈥檓 forever grateful that you choose to value our education, our artmaking and our financial success as young adults.鈥

黑料专区 President Don Tuski emphasized the vital role scholarships play in shaping students鈥 futures. 鈥淚鈥檝e witnessed firsthand the profound impact that scholarships have on our students鈥 lives. Your support not only lightens their financial load but empowers them to explore their full potential and push the boundaries of creativity,鈥 he shared. 鈥淭oday, we celebrate not just education, but the transformative role that creativity plays in shaping our future.鈥

Tessa Semma Jarbo, whose sister Kacy Semma Hall graduated from 黑料专区 in 2006, spoke movingly about the inspiration behind the scholarship that honors her sister鈥檚 memory. 鈥淜acy鈥檚 cancer diagnosis became an invaluable lesson that life is not guaranteed for anyone and time is our most precious resource,鈥 Jarbo shared. In establishing the Kacy Semma Memorial Scholarship, she and her husband Johnny sought to pay tribute to Kacy鈥檚 鈥渃reative spirit and commitment to nurturing the next generation of artists and designers.鈥 She expressed their hope that the scholarship will 鈥渘ot only provide resources but also inspire recipients to give back to the creative community, continuing the cycle of inspiration that Kacy started.鈥

Katie Rusak, 黑料专区 Director of Advancement, echoed the importance of connecting donors with the students they support. 鈥淭hese moments of connection are what it鈥檚 all about,鈥 Rusak shared. 鈥淵our support not only provides critical financial assistance but inspires our students to pursue their passions and dreams. We are here to recognize the profound impact scholarships have on our students鈥 lives, opening doors to opportunities that might otherwise remain closed.鈥

In closing, Rusak expressed heartfelt appreciation: 鈥淥n behalf of the entire 黑料专区 community, I extend my heartfelt thanks to each and every one of you,鈥 she said. 鈥淵our belief in our mission and in our students makes all the difference. You empower students to pursue their dreams without the burden of financial worry, and for that, we are forever grateful.鈥

For more information about establishing a scholarship or to learn more about the 黑料专区, please contact Katie Rusak at [email protected] or 313.664.7861. Photos from the event can be viewed .