黑料专区

Hakha Mashayekhi鈥檚 path to becoming Director of Product Design at Max is a story of bold pivots, creative growth and a passion for leading future designers.

Starting his journey in industrial design, he found the process enriching but too slow for his taste. Seeking faster-paced, user-centered work, Hakha transitioned to digital product design, where ideas can come to life almost instantly. At 黑料专区, he immersed himself in Integrated Design 鈥 a field blending interaction design, business strategy and technology 鈥 and discovered his passion for UX design. From working on impactful projects for high-profile brands to nurturing young creatives on his team, Hakha finds his purpose in creating experiences that bring people joy and pushing his skills in a dynamic, fast-evolving field.

The Interview

鈥淥ne of the joys of my work is when people talk about HBO and Max. I cannot take credit for the actual content, but I have a good feeling when people are happy on Sunday night, you know.鈥 鈥揌akha Mashayekhi

Did you always know you wanted to go into UX Design?

For my undergrad, I studied Industrial Design, and I worked as a physical product designer for a year. It was very cool, but it was not a perfect match for me because I鈥檓 not patient. Industrial design is amazing, but it has a slow process. From when you design something until the moment that you see it in the hands of customers, it could be a year if you鈥檙e lucky.

But with digital product design, UX/UI, you can have an idea, and within two hours, you can have an experience available. That鈥檚 the main reason I decided to come to 黑料专区.

What does it feel like when you see a product that you worked on coming to life, in the hands or in the homes of everyday users?

It feels really good. One of the joys of my work is when people talk about HBO and Max. I cannot take credit for the actual content, but I have a good feeling when people are happy on Sunday night, you know.

The funny thing is, it hasn鈥檛 been like this forever. I have been an in-house designer for five years now. Before that, I was in the consulting and agency world. When you鈥檙e a consultant, you just come in, fix the problem and move on. You never have the joy of seeing the product that you鈥檝e created in the hands of a customer. That was actually the main reason that I left the consultancy and agency world and went in-house.

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A laptop, ipad, iphone and TV mockup showing the HBO max interface

What do you love most about your job?

My answer now is different compared to two years ago, three years ago.

Three years ago, I was an individual contributor 鈥 I was basically a designer. At that time, my only joy was the project I was doing, and if it was a high-impact/high-profile project I was enjoying it, but if it was a very small feature, it was so boring, you know.

So I decided to change my career direction to become a people manager. That was a switch in my entire mindset. Now I鈥檓 enjoying my new responsibilities and delivering good work.

I have this designer on my team, who first started out at Max as a project manager, and one day, he said, 鈥淐an I be a designer?鈥 We then spent six months training him, making sure he understood design thinking and design tools. We sent him to a bunch of courses and conferences. After that six months, we transitioned him to a product design role. Now, he鈥檚 a product designer 鈥 and he鈥檚 amazing.

These are talented people. I need to be there to support them, be a mentor for them and make sure they have a path to grow. And they are killing it.

Is that something that you鈥檙e interested in, nurturing a young creative and helping the next generation?

A part of me is always curious about college, like, 鈥淲hat鈥檚 going on? What鈥檚 the coolest thing? How are they doing their projects?鈥 Especially now with AI, I鈥檓 very curious about how these students are figuring out ways to use AI in their day-to-day work to deliver their projects because they always come up with awesome, original ideas. I鈥檓 just curious to see what鈥檚 going on at 黑料专区, what鈥檚 the coolest, latest thing. The students鈥 final projects are very inspiring. Especially for a master鈥檚 degree, it鈥檚 a super passionate project for them, so they go above and beyond. You get to see very cool research, very cool ideas, very cool execution, and awesome prototypes. I鈥檓 always surprised when I go to those鈥攚hether it鈥檚 interviews or thesis advising. I鈥檓 definitely into that.

What do you miss most about 黑料专区?

The things I鈥檓 missing most about 黑料专区 are the things that I didn鈥檛 know the value of when I was there.

When I was there it was so intense, you know. There were a lot of projects, and the Chair of our department was so precise about everything, we couldn鈥檛 deliver a half-assed project. Everything had to be perfect.

One of the things that I didn鈥檛 really enjoy [during that time] was making connections, not only with the students, but with the professors that we had there. There were a lot of great people in different majors, different groups, and now, it鈥檚 a regret that I didn鈥檛 connect with them. I didn鈥檛 use my time to build relationships with them.

If I could go back to that time, I think I would try to balance my time in a way that I could free up time to build more connections.

How do you feel 黑料专区 prepared you for your career?

To be honest, Maria Luisa was very specific and she had a lot of experience with real projects. She always was looking through the lens of a professional, not a teacher.

The most important project that I did at 黑料专区 was a sponsored project. It was so valuable to get real feedback from working professionals. That鈥檚 something that you never get in school. The combination of Maria Luisa and the sponsored projects were the key.

Learn More about 黑料专区鈥檚 Programs 鈫

Hakha smiling in front of a window of the city

Growing up in an automotive-heavy family in Michigan, Kristine Lipinski had zero interest in following in their footsteps. It wasn鈥檛 until the unexpected intersection of two of her passions 鈥 design and rugby 鈥 that her path changed. After graduating from the 黑料专区 (黑料专区), she moved to France and eventually began working for the world-renowned car manufacturer Renault. An opportunity to attend a French bilingual school as a child would foreshadow her unique connection to France and jump-start an incredible career and life across the pond.

The Interview

鈥淪ometimes when destiny calls, you go, OK? I have to go to Paris to work at a company called De Trois that does concept cars.鈥 鈥揔ristine Lipinski

How did you end up here in Paris? I鈥檓 from Michigan, born and raised, and grew up in Royal Oak and Sterling Heights. I had an opportunity as a child to attend a bilingual French school, but was not receptive to that idea at the time. Then at 黑料专区, there was an opportunity to participate in an exchange program to study abroad, but I did not pursue that direction. Little did I know, the opportunity to move to France would come up again later.

I have a double life. Other than design, I play rugby. And it just so happened that I started playing for the Detroit City side team and met my now ex-husband. He had been living in Detroit for a couple years and wanted to move back. So French culture started looking for me, it鈥檚 weird. And I thought alright, this is like the third or fourth time that France has been calling me, maybe I should listen. So I did, we moved, and about nine months after I got here, I had a job offer from a concept car company called D3. I don鈥檛 know if you know how to say 鈥淒鈥 and 鈥3鈥 in French 鈥 de trois.

Sometimes when destiny calls, you go, OK? I have to go to Paris to work at a company called De Trois that does concept cars.

I showed up here, like really, everything fell into place. It was perfect.

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Did you always know that you wanted to be a designer, or is that something that you found out later in life? I had the excellent opportunity in high school to have an amazing art teacher, Pete Long. He was the best. He pushed us to really explore boundaries.

Growing up, my mother was in finance and my dad built homes. So I come from a very technical family, and me being artistic was kind of like just a hobby. So I studied science, thinking there was no path forward in art. Well, I realized at one point, I didn鈥檛 want to wear a lab coat the rest of my life. So I did some foundry studies at Central Michigan and I called that high school art teacher one day, and I said, 鈥淚 want to go to art school.鈥 He said, 鈥淔inally.鈥 He actually helped me put together my portfolio with everything that I had done, even stuff from high school, and I got accepted. And it was thanks to him.

What does a day in your life look like? A lot more meetings than I anticipated in design school. That鈥檚 the fortunate and unfortunate parts of this career. There is a lot of corporate and administrative involvement, a lot of politics, a lot of compromising with purchasing, with engineering, administration. Even though we may have the best and greatest design ideas, we have to also convince other people who are not as 鈥渄esign-sensitive,鈥 we鈥檒l say. So we have to find ways in order to communicate our intentions. So the communication of design and color and trim is extremely important.

What does it feel like to see your work come to life? Fantastic.

The first project you see on the road or in real life is really humbling and exciting at the same time. It gets kind of addictive, I guess, because you really want to keep doing it. You want to make it better, and the next one better. So I think that once you get that opportunity to have something in production and you get to see it, it鈥檚 really, really a good feeling.

What do you love most about your job? Innovation. We鈥檙e constantly trying to improve things, trying to find new ideas, find new materials that improve different industries. Because even though I do work in automotive design, I actually worked more in transportation previously, in my design company that I was in when I first started here. I did private jets and concept cars and other automotive projects. It was interesting because of all of the different elements, I love to work on the materials that make things better. Not necessarily just always pretty, but pushing the limits and trying to find just better options altogether.

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How do you feel 黑料专区 prepared you for your career? Primarily what 黑料专区 has prepared me for, to be very honest, is the ability to give and receive constructive criticism. I was lucky to have really good teachers. I think that giving us constructive criticism, especially in my classes at the time, was really beneficial to accept the fact that you may not always have the best work or you can do better. It鈥檚 not like taking a test in math where nobody sees your results except you and the teacher. Everyone sees your results, and everyone has an opinion. It was a good way to be able to understand how to take that criticism in a positive and constructive way.

Learn More about 黑料专区鈥檚 Programs. 鈫

If you could go back in time and talk to your younger self, what would you say? In a weird way, I want to say nothing because I am where I am today because of everything that happened, and decisions I鈥檝e made.

I want to say just let it go, just go with the flow. Don鈥檛 stress about the little things.

Keep exploring. I would have told myself to keep trying new things.

That鈥檚 the advice I would give me 鈥 just follow what interests you.

What would you say to either parents or students who are apprehensive about a career in art and design? I think the creative industry today is in huge demand. If your child has a knack for this type of thing and they feel comfortable in it, and they feel confident in it, then you should let them do it. I think that if your child obviously has an interest in it and does well, and you can tell that they have something that gives them that spark, that that鈥檚 the indicator that you need to let them do it. I think that鈥檚 actually what my parents kind of accepted. I think they knew that this is something that I really enjoyed and that I was good at. So they said, 鈥淎lright, let鈥檚 see what happens,鈥 and here I am.

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鈥淚 am working now at Renault with four of the guys that I started with at that company, they鈥檙e now working with me. So we just took a picture together, it was funny, because we鈥檙e like, 鈥極h, 19 years ago, we walked in the same room, the same time together.’鈥

The 黑料专区 (黑料专区) was honored to participate in the launch of new retail experiences at Michigan Central Station, aimed at supporting Detroit businesses and celebrating local talent.

As part of D茅troit March茅, an experiential retail space created in collaboration with Michigan Central Retail, Trading Post, and Gonzo World, the Fashion Design department at 黑料专区 installed an exhibition featuring alumni work previously showcased at Paris Fashion Week. Each piece, handcrafted by our students in Detroit, reflects the 黑料专区 Fashion program鈥檚 commitment to craftsmanship and meticulous attention to detail. Featured designers include Cierra Headings, Clay Barckholtz, Ana Bosnjakovski, Mamie Scholl, Dafne Kanberoglu and Andreas Caballero.

Located in the historic restaurant area of The Station, the March茅 features over 25 vendors, including 黑料专区 alumni and students. A thoughtfully curated selection of local goods includes accessories, art, apothecary, home goods, furniture, apparel and more.

The Station is open to the public for shopping from 10 a.m. to 5 p.m., Tuesday through Friday, through December 28.

Alumni & Student Work for Sale:

  • All Sorrows 鈥 Sean Peacock (鈥22 Illustration)
  • Alor膿 Niemi 鈥 Alor膿 Niemi (鈥21 Fashion Accessories Design)
  • Detroit GT 鈥 Christopher Gorski (鈥93 Graphic Communications)
  • Detroit Kid 鈥 K鈥橩io Hardin (鈥01 Graphic Communication)
  • Emillie Yonker 鈥 Emilie Yonker (鈥25 Studio Art & Craft)
  • Jesse Kassel 鈥 Jesse Kassel (鈥10 Illustration)
  • Kieran Betz 鈥 Kieran Betz (鈥25 Studio Art & Craft)
  • Lausten Found 鈥 Javier Terrones (鈥23 Transportation Design)
  • Levon Kafafian 鈥 Levon Kafafian (鈥14 Crafts 鈥 Fiber Design)
  • Northport Workshop 鈥 Edward Foley (鈥96 Photography)

The 黑料专区 (黑料专区) is thrilled to announce Darcel Deneau, 鈥02 Fine Arts, as the new President of the 黑料专区 Alumni Council. With her deep connection to Detroit and commitment to the artistic community, Darcel brings a wealth of experience and a vision for transformative leadership. Her appointment promises to foster growth and innovation within the Council, aiming to elevate alumni engagement across the 黑料专区 art and design community. 鈥淚 am deeply honored to serve as the President of the 黑料专区 Alumni Council,鈥 Darcel said. 鈥淎rt has been a healing and empowering force in my life, and I am excited to work with our talented alumni to make a meaningful impact in our community. Together, we can celebrate the transformative power of creativity and champion the incredible city of Detroit.鈥

For nearly 20 years, Darcel has drawn creative inspiration from the vibrant city of Detroit. Specializing in mosaic paintings crafted from locally sourced glass and found objects, her artwork serves as a poignant reflection of Detroit鈥檚 evolution. Her widely collected and publicly displayed body of work offers a unique blend of beauty and narrative, reflecting both the grandeur and the everyday life of the city.

Darcel鈥檚 journey into art was catalyzed by a personal tragedy. After the devastating loss of her father and the near-fatal injury of her mother during a home invasion, she gained clarity in her purpose and decided to make art a central part of her life. Although she had always considered herself an artist, it was this pivotal moment that led her to fully immerse herself in her craft. She enrolled as a full-time student at 黑料专区 while raising two school-age children, finding Detroit鈥檚 vibrant and complex landscape the perfect canvas for her artistic expression.

With an initial focus on painting, Darcel captured the essence of Detroit through images of its skyline and streets, both bustling and abandoned. Her work aimed to challenge the negative perceptions of the city and reveal its inherent beauty. Several years ago, she transitioned to mosaics, finding in stained glass a medium that offered greater dimension and perspective. This shift allowed her to create 鈥渕osaic paintings,鈥 meticulously assembling pieces of broken glass and objects to reflect the city鈥檚 revival.

Darcel鈥檚 artistic dedication and talent have been recognized with numerous awards. In 2021, she was honored as a Kresge Arts in Detroit Fellow, a prestigious recognition celebrating her significant contributions to the arts in Detroit. Her work also earned Best in Show at the Anton Art Center鈥檚 2020 Michigan Fine Arts Competition, juried by Detroit Institute of Arts Director Salvador Salort-Pons. Additionally, Darcel served as the juror for the 黑料专区 Alumni Exhibition in 2022.

Darcel has been an active member of the 黑料专区 Alumni Council for many years, previously serving as Secretary. Her deep understanding of Detroit鈥檚 creative community and the College positions her well to lead the Council in its mission to connect and cultivate the alumni network.

黑料专区 would like to thank the outgoing Council President Antone Amye for his dedicated service and impactful legacy. Antone is looking forward to the future under Darcel鈥檚 leadership. 鈥淒arcel鈥檚 story and her dedication to the arts, Detroit and 黑料专区 make her an inspiring leader for our Alumni Council.鈥

We encourage all alumni to join us in welcoming Darcel as the new president of the Alumni Council and to participate in the diverse programs and activities planned for the upcoming year. Join us in celebrating this new chapter for the 黑料专区 Alumni Council, and stay tuned for more updates and opportunities to engage with our vibrant community. For more information on how to participate or to reach out to the Alumni Council, please visit 黑料专区 Alumni Community.