News Archives - 黑料专区 /category/news/ Thu, 03 Sep 2026 15:30:13 +0000 en-US hourly 1 https://wordpress.org/?v=7.1 黑料专区 Vice President of Strategy and Communication Olga Stella Moves to the Mayor鈥檚 Office as Chief of Economic Development and Workforce for the City of Detroit /ccs-vice-president-of-strategy-and-communication-olga-stella-moves-to-the-mayors-office-as-chief-of-economic-development-and-workforce-for-the-city-of-detroit/ Wed, 02 Sep 2026 18:45:52 +0000 /?p=20743 Mayor Mary Sheffield announced today the appointment of Olga Stella as Chief of Economic Development and Workforce for the City of Detroit. A longtime Detroiter, Stella has spent her career […]

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Mayor Mary Sheffield announced today the appointment of Olga Stella as Chief of Economic Development and Workforce for the City of Detroit. A longtime Detroiter, Stella has spent her career as a leader in economic and business growth, community revitalization, and Detroit鈥榮 creative economy. Most recently, she served as Vice President of Strategy and Communication at the 黑料专区 (黑料专区), where she shaped the institution鈥檚 strategic roadmap, expanded industry partnerships, and oversaw community programs.

During her time at 黑料专区, Stella helped put Detroit on the world stage by stewarding the city鈥檚 designation as the only UNESCO City of Design in the United States. She was Executivunie Director of Design Core Detroit, and most recently Vice President of Strategy and Communications at the 黑料专区.

In her new role, Stella will set a shared strategy and align resources so that the full ecosystem operates effectively, giving employers and developers a coordinated Detroit. 鈥淒etroit鈥檚 neighborhoods and business community succeed together,鈥 said Mayor Sheffield. 鈥淥lga will be a key architect in making Detroit the best place in the country to start, grow, and locate a business. When businesses thrive here, they create the jobs, opportunity, and stability that Detroit families are counting on.鈥

鈥淚 am inspired by Mayor Sheffield鈥檚 vision, and I can鈥檛 imagine doing this work anywhere but in
my own hometown,鈥 said Stella. 鈥淒etroit has given my family so much and this a historic moment for the City of Detroit, and I look forward to bringing a different approach to economic development, one that delivers for our neighborhoods and employers alike.鈥

黑料专区 President Don Tuski expressed his enthusiasm for Olga Stella and her new role.
鈥淪ince Olga first joined 黑料专区 in 2016, she has played a pivotal role in increasing 黑料专区鈥檚 external community profile and visibility, as well as strengthening 黑料专区鈥檚 internal culture in partnership with campus leaders,鈥 said President Tuski.

聽鈥淲hile Olga will no longer be at 黑料专区, I know she will always be a friend to the College, and I look forward to working with her in this new role as she continues to uplift the City of Detroit.鈥

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Dan Long Reflects on Evolving the Student Experience, Student Advocacy and Becoming AVP for Campus Life /dan-long-avp-for-campus-life/ Tue, 30 Jun 2026 04:00:00 +0000 https://ccsdetroitstg.wpenginepowered.com/dan-long-avp-for-campus-life/ Student well-being, safety and experience are Dan Long鈥檚 guiding lights. These were his priorities when he came to the 黑料专区 in 2005 and first served as Student […]

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Student well-being, safety and experience are Dan Long鈥檚 guiding lights. These were his priorities when he came to the 黑料专区 in 2005 and first served as Student Programming Coordinator, and they remain his priorities as Assistant Vice President for Campus Life, an appointment Long received during the summer of 2024.

As AVP for Campus Life, Long oversees three interconnected offices of the College: the Student Affairs Office, Campus Safety and Security, and the Office of Civil Rights and Title IX.

These entities have been redefined during Long鈥檚 two-decade tenure at the College. To better meet students鈥 needs, the former Office of Student Life 鈥攚hich included two separate offices: the Wellness Center and the Residence Life and Housing Office鈥攂ecame the overarching Student Affairs Office. This office is now the umbrella for several key areas, including the Student Engagement and Belonging Office, Residence Life, Student Organizations, Wellness and Counseling Services, Student Disability Services, and the Center for Tutoring and Writing, among others.

Another change was the former Office of Institutional Equity and Inclusion, which was restructured to become the Office of Civil Rights and Title IX. A director position was created to oversee the office, which reports to Long as well.

鈥淓verything that reports to me is really rooted in making students feel like they belong and are capable at 黑料专区,鈥 Long says. 鈥淓very student at 黑料专区 should feel like they have a place; that they belong and have an opportunity to be successful here.鈥

That notion was at the core of Long鈥檚 role as a Student Programming Coordinator nearly 21 years ago. He was later promoted to a joint role as Assistant Director of Student Life and Student Ombudsman. During that time in the late 2000s and early 2010s, Long remembers the College was working towards providing more experiences for students outside of the classroom, through things such as peer support networks and co-curricular learning opportunities. An indicator of that shift, according to Long, was the increase in employees. 黑料专区 went from 10-12 resident assistants at that time to presently having around 60 total work study students.

鈥淪eeing that growth in the opportunities we鈥檙e able to provide and that we can generate enough interest in working for those various areas is one of the big leading signs that I see in a tangible way, that Student Affairs is making an impact,鈥 he says.

In 2012, Long was promoted to Dean of Students at 黑料专区. During his 12 years in that role, he continued to support streamlining efforts of what he says were the College鈥檚 student-facing offices and the crisis-oriented offices. The aforementioned transition of the former Office of Student Life to today鈥檚 comprehensive Student Affairs Office happened while Long was Dean of Students.

Fourteen years later, and two years into his AVP role, Long is happy with 黑料专区鈥 holistic approach to student experience. His goal for Student Affairs is to continue building on the work those teams have already achieved through their strategic planning. For Campus Safety and Security and the Office of Civil Rights and Title IX, Long says empowerment and trust building among the greater campus community has been his goal, especially with the latter office being new.

鈥淪o really, that has been, how do we successfully launch, announce and integrate a new office and a new function for the institution in a space where there鈥檚 not always a lot of trust?鈥 Long says. 鈥淭here鈥檚 no inherent trust in an office of civil rights; you have to earn that respect and trust from people.鈥

Long is also excited about the 鈥渆normous growth鈥 in student organizations over the past couple of years, as well as the pending launch of a new student engagement platform. This platform will allow students to create an account and build a full co-curricular transcript to visualize their collegiate experience.

鈥淚 have an incredibly strong team of professional staff and student staff that really make all of this work on a higher level,鈥 he says. 鈥淚 always like to make sure that I highlight them, in these kinds of situations where they鈥檙e making all of this really function, and giving the students at 黑料专区 the opportunity to experience all of this.鈥

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Shannon McPartlon Named Assistant Vice President of Partnerships at 黑料专区 /shannon-mcpartlon-named-assistant-vice-president-of-partnerships/ Tue, 23 Jun 2026 04:00:00 +0000 https://ccsdetroitstg.wpenginepowered.com/shannon-mcpartlon-named-assistant-vice-president-of-partnerships/ Longtime partnerships leader to head the 黑料专区 Office of Partnerships as the new Assistant Vice President Shannon McPartlon, a 20-year 黑料专区 leader, has been named Assistant Vice […]

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Longtime partnerships leader to head the 黑料专区 Office of Partnerships as the new Assistant Vice President

Shannon McPartlon, a 20-year 黑料专区 leader, has been named Assistant Vice President of Partnerships.
In her new role, McPartlon will work closely with Vice President Olga Stella to expand strategic initiatives and external partnerships that support the College鈥檚 strategic plan and financial success. She will continue to lead the recently expanded Office of Partnerships, which now includes Event Operations, Speakers and Exhibitions and Exhibition Services.

鈥淪hannon鈥檚 expertise and leadership come at a crucial time, when higher education continues to be disrupted by external forces,鈥 said Don Tuski, President of 黑料专区. 鈥淪erving as a key external ambassador to create career opportunities for students across all of our majors, Shannon will work in collaboration with academic department chairs and internal stakeholders to connect industry trends and needs to new and current programs and initiatives that will bolster the College鈥檚 business model, positioning and revenue generation.鈥

Throughout her 20-year career at 黑料专区, McPartlon has managed over 400 industry partnerships, engaging more than 3,000 students, faculty and staff. She has played a critical role in evolving the College鈥檚 approach to experiential learning to include more opportunities for students and established the Practicing Design Center in partnership with faculty. Her facilitation of for-credit internships, on-campus recruiting events and launching strategies to increase exposure for students has empowered students to gain hands-on experience and enhance their career readiness.

鈥淚 am incredibly honored and energized by the opportunity to take on this expanded role,鈥 said Shannon McPartlon, Associate Vice President of Partnerships. 鈥淢y primary goal in this new role is to forge strategic, high-level partnerships that directly connect industry trends and needs with new academic opportunities, bolstering the college鈥檚 business model and global positioning. I look forward to applying my experience to further scale our strategic initiatives and help secure the future success of 黑料专区.鈥

To learn more about the Office of Partnerships, please visit /office-of-partnerships/.

ABOUT THE COLLEGE FOR CREATIVE STUDIES

The 黑料专区 (黑料专区) is a nonprofit, private college accredited by the Higher Learning Commission and authorized by the Michigan Education Department to grant Bachelor鈥檚 and Master鈥檚 degrees. 黑料专区, located in midtown Detroit, strives to provide students with the tools needed for successful careers in the dynamic and growing creative industries. 黑料专区 fosters students鈥 resolve to pursue excellence, act ethically, engage their responsibilities as citizens, and learn throughout their lives. With world-class faculty and unsurpassed facilities, students learn to be visual communicators who actively use art and design toward the betterment of society. The College is a major supplier of talent to numerous industries, such as transportation, film and animation, advertising and communications, consumer electronics, athletic apparel, and many more. Its graduates are exhibiting artists and teachers, design problem solvers and innovators, as well as creative leaders in business.

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Driving Growth and Philanthropy: Meet 黑料专区鈥檚 New Vice President for Institutional Advancement Denise Thomas /denise-thomas-appointed-vice-president-for-institutional-advancement-at-ccs/ Tue, 16 Jun 2026 04:00:00 +0000 https://ccsdetroitstg.wpenginepowered.com/denise-thomas-appointed-vice-president-for-institutional-advancement-at-ccs/ If Denise Thomas could pick up the phone and call every single 黑料专区 alum and tell them their alma mater appreciates them and is there for them, […]

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If Denise Thomas could pick up the phone and call every single 黑料专区 alum and tell them their alma mater appreciates them and is there for them, even long after they鈥檝e obtained their degree, she says she would.

Both alumni and donor relations are top priorities for Thomas, who was appointed Vice President for Institutional Advancement in October 2025, shortly after former Vice President Tracy Muscat retired that summer. Through her new role, Thomas is committed to developing fundraising efforts that are tied to 黑料专区鈥檚 mission and vision, and building up a sustainable community of alumni.

The last seven years have prepared Thomas for this VP role. In 2019, she joined Institutional Advancement as the Director of Campaigns and Major Gifts. She was excited to once again work alongside Muscat, whom she had worked for in a previous role and considers a strong fundraiser with a gift for connecting and empowering people.

鈥淎t 黑料专区, I could see where I could really help move the bar, leveraging my experience to make a difference, and I knew I would have opportunities to contribute in meaninful ways,鈥 Thomas says on why she came to the College. 鈥淚 was going to work for an organization that is incredibly important to the Detroit community, and be able to make a difference.鈥

As 黑料专区 grappled with the Covid-19 pandemic that began just months after Thomas started her director position, she focused her attention on raising funds to secure the resources students needed for their studies, which was done through cultivating new and existing donor relationships.

Once Thomas began managing the alumni relations program, she knew it was time to transition from previous event-based fundraising efforts to more 鈥渕ission- and vision-connected fundraising.鈥 That involved identifying the College鈥檚 key events as well as new ones that could engage alumni and donors. The Institutional Advancement office also wanted to increase communications with alumni and donors.

鈥淚t鈥檚 about finding out who loves and believes in 黑料专区, sharing the mission and vision, and finding out what problem we could solve together,鈥 Thomas says, adding that at one point, the team met with every 黑料专区 Board of Trustees member via Zoom for their insights. 鈥淧hilanthropy is not just about raising money; it鈥檚 building community, pride and a shared responsibility for where we鈥檙e going.鈥

These efforts proved successful. Thomas helped the team learn how to track alumni engagement through key areas, including interaction with their communications, volunteering, donations and event attendance. The Office also participated in the Council for Advancement and Support of Education鈥檚 (CASE) Alumni Engagement Survey in TK year(s). Thomas and the team learned 黑料专区 ranked 21%, higher than the international average for alumni engagement and higher than their peers.

Thomas also says the average open rate for their alumni e-newsletters tripled over time, going from around 13% to as high as 40%. And to continue strengthening the alumni network, Thomas and the Institutional Advancement team created a role dedicated to that work and hired alumna Lesley Mason in 2024.

As Thomas transitioned to the VP role, she recalls the experience being a seamless one, crediting her time working with Muscat and the solid team they built. She wants to continue fortifying those alumni and donor relationships that will support 黑料专区 for decades to come.

鈥淲hen I think about my vision for these next couple of years, a lot of it is about continuing to build that pride and connection, that community of people that are going to have a shared responsibility for where 黑料专区 goes,鈥 Thomas reiterates. 鈥淚t will lead to philanthropy, but it鈥檚 really about building that community of our biggest fans.鈥

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黑料专区 Announces New Endowed Chair in Studio Art & Craft /ccs-announces-new-endowed-chair-in-studio-art-craft/ Tue, 09 Jun 2026 04:00:00 +0000 https://ccsdetroitstg.wpenginepowered.com/ccs-announces-new-endowed-chair-in-studio-art-craft/ 黑料专区 alumna and Trustee Molly Valade and her husband Mark Valade established the Valade Family Endowed Chair in Studio Art & Craft.The 黑料专区 (黑料专区) is thrilled to […]

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黑料专区 alumna and Trustee Molly Valade and her husband Mark Valade established the Valade Family Endowed Chair in Studio Art & Craft.
The 黑料专区 (黑料专区) is thrilled to announce a commitment to endow the position of Chair of Studio Art & Craft. The Valade Family Endowed Chair in Studio Art & Craft will ensure ongoing support for the College鈥檚 Studio Art & Craft Department, one of 黑料专区鈥檚 most historic programs.

This transformative commitment reflects 黑料专区 alumna and Trustee Molly Valade鈥檚 deep connection to and belief in the legacy and importance of the Studio Art & Craft program, as well as her enduring belief in the power of a 黑料专区 education. Molly graduated from 黑料专区鈥檚 Fine Arts program (now Studio Art & Craft) and has served on the College鈥檚 Board of Trustees since 2008, in addition to serving on 黑料专区鈥檚 alumni council for 13 years. Over the years, her engagement with students, faculty, and staff has strengthened the program鈥檚 creative and academic environment, and this gift will ensure that impact continues into the future.

鈥淪tudio Art & Craft has been at the heart of 黑料专区 for more than a century,鈥 said Don Tuski, President of the 黑料专区. 鈥淭he establishment of this endowed chair will help ensure the department continues to evolve, inspire new generations of artists and makers, and expand opportunities for innovative studio practice well into the future.鈥

Founded in 1906, 黑料专区, then The Society of Arts & Crafts, integrated rigorous courses with the progression of the art and design movements and world-class, contemporary exhibitions. Since its inception, the Studio Art & Craft program has carried on this tradition while continually building on this foundation and legacy. In 2026, the program is still rooted in traditional techniques, now enhanced by contemporary processes and innovative technologies. The department currently enrolls undergraduate students exploring the disciplines of Ceramics, Drawing, Fibers and Textiles, Fine Arts, Glass, Metalsmithing and Jewelry, Painting, Performance, Print Media, Sculpture, Digital Fabrication and Digital Media.

Under the leadership of Department Chair Valerie Jenkins, Studio Art & Craft continues to foster rigorous studio practice and distinct creative voices. The creation of the Valade Family Endowed Chair will further elevate that work, strengthening the program鈥檚 impact and vitality, ensuring its continued growth.

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黑料专区 Announces Esteemed Group of Honorary Degree Recipients /ccs-announces-esteemed-group-of-honorary-degree-recipients/ Thu, 21 May 2026 04:00:00 +0000 https://ccsdetroitstg.wpenginepowered.com/ccs-announces-esteemed-group-of-honorary-degree-recipients/ 黑料专区 Announces Esteemed Group of Honorary Degree Recipients Detroit, MI 鈥 黑料专区 is proud to announce its 2026 honorary degree recipients: Dustin Yellin, artist […]

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黑料专区 Announces Esteemed Group of Honorary Degree Recipients

Detroit, MI 鈥 黑料专区 is proud to announce its 2026 honorary degree recipients: Dustin Yellin, artist and the founder and director of Pioneer Works; Moray Callum, automotive designer; Lynn Alandt, president of the Benson and Edith Ford Fund; and Paul Mobley, portrait photographer. Yellin also delivered the commencement address for the graduating class of 2026.

Dustin Yellin tells stories that weave together the diverse forces of nature and technology. Through his multidisciplinary body of work, which includes object making, painting, animation, and institute building, Yellin draws attention to the interconnectivity of all beings and things. His approach tunnels across traditionally siloed fields so as to crystallize the idea that both the human world, and all other worlds around us, are a collection of enmeshed networks 鈥 even if many are hidden. Yellin鈥檚 glass works in particular, in which paint and images clipped from various print media are embedded within laminated glass sheets to form grand pictographic allegories, invite viewers to engage with the legions of their own consciousness and its embodied emotions, as well as that of our collective society and its infrastructures. Yellin is the founder and director of Pioneer Works, a multidisciplinary cultural center that builds community through the arts and sciences. The artist balances descriptive poetry with a prescriptive social practice so as to span new ways of seeing and being, and build a bridge to a more holistic world.

Yellin lives in Brooklyn, New York. His artwork has been exhibited at Brooklyn Museum, Amorepacific Museum, Leeum Museum, Museo Del Palacio de Bellas Artes, SCAD Museum of Art, The Kennedy Center, Lincoln Center for the Performing Arts, City Museum, Colecci贸n Solo, Corning Museum of Glass, and with Creative Time, amongst many others. Yellin is often featured in diverse media ranging from the New York Times to Artforum, Vanity Fair, and TED. He holds an Honorary Doctor of Humane Letters from the Savannah College of Art and Design.

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A respected automotive designer from Dumfries, Scotland, Moray S. Callum graduated from Napier University with a degree in industrial design and earned a master鈥檚 degree in transportation design from the Royal College of Art in London. His design career began when working for Chrysler Corporation UK and PSA Peugeot Citro毛n on passenger/commercial vehicles. He joined Ghia SpA as a consultant designer, where his work sparked interest from the Ford company. This ultimately led to a role in Dearborn, Michigan, on North American vehicles such as the 2000 Ford Taurus and the last generation of Ford Super Duty pickups. He relocated to Japan to work for Mazda, then a Ford subsidiary, designing sports cars, contributing notable models like the MX-5 sports car and the CX-7 crossover.

Eventually, he became executive director of design for Ford鈥檚 Americas studios. Moray Callum鈥檚 successes include the new Ford Fusion, Explorer, Mustang, EcoSport and Lincoln MKZ. Ultimately, Callum was promoted to vice president of design at Ford Motor Company, taking responsibility for all concept and production vehicles for the Ford and Lincoln brands globally, unveiling the 2015 sixth-generation Ford Mustang and the 2017 second-generation Ford GT. Additionally, Callum serves on the 黑料专区 Board of Trustees.

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Lynn Alandt is a civic leader and the president of the Benson and Edith Ford Fund. Alandt has served on the 黑料专区 Board of Trustees for more than 25 years and currently serves as the vice chair of the board. She also serves as the board chair for the Eleanor and Edsel Ford House. Additionally, Alandt is trustee emeritus for The Henry Ford Museum and has served on the board of directors for Henry Ford Health System. She is a strong supporter of 黑料专区 and the arts community in and around Detroit.

Paul Mobley is an American portrait photographer celebrated for creating intimate, timeless images that reveal the personality and spirit of his subjects. His commercial work spans corporate, editorial, and advertising photography, with clients ranging from major brands such as Apple, Microsoft, Ford, and American Express to celebrities and entertainers in film, comedy, and music. His portraiture is known for its emotional depth and authenticity, achieved through his ability to quickly connect with people from all walks of life. Mobley trained at 黑料专区 in Detroit and then moved to New York City, where he studied portraiture and assisted renowned photographers, including Annie Leibovitz and David Langley, before launching his own career.

In addition to commercial assignments, Mobley is widely recognized for his long-form personal projects and photography books. His first major project, American Farmer, became a touring exhibition and book that captured the lives of U.S. farmers and traveled for seven years, reaching over 500,000 people. Other notable projects include Everyday Heroes 鈥 portraits of Americans dedicated to helping others; If I Live to Be 100 鈥 intimate portraits of centenarians from all 50 states; and American Firefighter 鈥 portraits and stories of firefighters across the country.

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鈥淭his year鈥檚 honorary degree recipients are incredible leaders across a diverse range of industries,鈥 said Don Tuski, President of 黑料专区. 鈥淲e are thrilled to honor Dustin, Moray, Lynn and Paul, who offer invaluable support and insight into the art and design world.鈥

The College鈥檚 commencement ceremony took place on May 14, 2026, to honor the graduating class of 2026. Yellin, Callum, Alandt and Mobley join a distinguished list of recent honorary degree recipients, including automotive design leader Michael Simcoe, architect Suchi Reddy, and artist Kevin Beasley, among others.

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Veronika Scott is the 2026 Distinguished Alumni /veronika-scott-is-the-2026-distinguished-alumni/ Fri, 15 May 2026 04:00:00 +0000 https://ccsdetroitstg.wpenginepowered.com/veronika-scott-is-the-2026-distinguished-alumni/ /wp-content/uploads/2026/05/DSC_3222.jpg /wp-content/uploads/2026/05/DSC_3237.jpg /wp-content/uploads/2026/05/DSC_3247.jpg /wp-content/uploads/2026/05/DSC_3257.jpg /wp-content/uploads/2026/05/DSC_3371.jpg /wp-content/uploads/2026/05/DSC_3337.jpg /wp-content/uploads/2026/05/DSC_3304.jpg /wp-content/uploads/2026/05/DSC_3445.jpg Veronika Scott, who turned a class project into an internationally recognized workforce development organization, is 黑料专区鈥 2026 Distinguished Alumni. […]

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Veronika Scott, who turned a class project into an internationally recognized workforce development organization, is 黑料专区鈥 2026 Distinguished Alumni.

鈥淚 don鈥檛 think I would鈥檝e started Empowerment Plan anywhere else,鈥 said Scott, 鈥11 Product Design.

Upon the advice of her grandfather, Scott chose to attend 黑料专区, which awarded her a scholarship and financial aid, rather than taking out student loans to go to Yale University. It was during her junior year that Product Design Professor Stephen Schock challenged Scott and her classmates to design a product that filled a specific need in the community.

Leaning into her own experiences with poverty and homelessness growing up, Scott spent three days a week for about five months at the Neighborhood Service Organization (NSO), a Detroit-based health and human services agency. Through conversations with those who鈥檇 been displaced, some for years, she learned more about the realities people who live on the street face and was inspired to design the first prototype of what is now the weather-resistant EMPWR coat.

鈥淚t was about creating something I wish had existed for my own parents,鈥 Scott said.

That prototype took 80 hours to create, and unlike the coat-sleeping bag version now distributed across the United States and to 22 other countries, Scott鈥檚 original design was a coat-tent.

鈥淭he tent part never panned out,鈥 she said. 鈥淎nd it was hilarious.鈥

Once the project was complete, people Scott had spoken to through NSO began asking about where they could get their coats. 鈥淎nd I said, 鈥榃ell, I don鈥檛 know. It takes me two weeks to make one and you don鈥檛 want the one I鈥檓 making because it鈥檚 not that great. I鈥檓 not a good sewer,鈥欌 she said.

Even though Scott had received mixed feedback, she decided to pushed forward. Her first challenge was startup capital, since she didn鈥檛 have the funds personally or even close family or friends to approach. Instead, she turned to 黑料专区.

Scott met 鈥渨ith everyone that I could meet with as a student,鈥 from professors to the legal team, who advised her to create a business plan. Figuring out that essential roadmap for any organization required the advice of more 黑料专区 staff members. She eventually connected with Imre Molnar, who helped guide her project through an independent study. The two met weekly, with Molnar 鈥 a former design director for outdoor gear maker Patagonia 鈥 eventually setting her up with Detroit-based Carhartt. 鈥淗e truly believed that [Empowerment Plan] could be something, that it actually could be a business or an organization when I did not,鈥 Scott said. 鈥淚 didn鈥檛 know that it could be something like that. And I certainly didn鈥檛 think I was the right person either.鈥 For early iterations of the EMPWR coat, Scott tried a variety of recycled materials, such as billboard fabric, construction fencing and door paneling from General Motors鈥 vehicles, as well as Tyvek. 鈥淵ou name it, I tried to sew with it,鈥 she said. Learning to take feedback while at 黑料专区 was crucial to the development process, and to her role as CEO and founder of Empowerment Plan. 鈥淥ne thing that I took away from 黑料专区 was how to take a critique and learn from those critiques and continue to improve,鈥 she said. After graduation, Scott began working with different partners, including Carhartt and RefrigiWear, an Atlanta-based company that produces garments for cold storage. According to Scott, Carhartt helped her to understand how to make long-lasting, durable apparel, and from RefrigiWear, what goes into clothing designed for temperatures as low as negative 40 degrees. But as it turns out, finding the perfect materials for the EMPWR coat and then producing and distributing the sleeping bag-coat was only part of what Scott would do through Empowerment Plan. Because one afternoon, as she was leaving NSO during those days of initial research, a woman had told her, 鈥淚 don鈥檛 need a jacket. I need a job.鈥 That stuck with her, and when it came time to hire employees, she sought people who would need to use the coat 鈥 with hopes of them never having to use the coat again. Empowerment Plan created a 鈥減aid-to-learn鈥 model, pairing full-time employment with supportive services and programs. In addition to working as sewing techs, employees can earn their GEDs, gain financial skills and receive mental health services. Those early years of creating her organization wouldn鈥檛 have been possible if she鈥檇 incurred student loan debt, given that she didn鈥檛 collect a salary for two years. 鈥淗ad I needed to worry about paying back student loans or deferring loans, I wouldn鈥檛 have been able to do it,鈥 Scott said. 鈥淚 think of that as [not only] another gift from my grandfather, but also 黑料专区.鈥 Empowerment Plan also wouldn鈥檛 have helped hundreds of employees and their families overcome homelessness or distributed its 100,000th coat in March. 鈥淚 love my job,鈥 Scott said. 鈥淲hat I鈥檝e realized over the years is how lucky I am. I had an incredible experience [at 黑料专区]. I had an incredible mentor and wouldn鈥檛 be the same without it.鈥

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黑料专区 Presented The Show 2026 at Somerset Collection /college-for-creative-studies-presented-the-show-2026-at-somerset-collection/ Fri, 01 May 2026 04:00:00 +0000 https://ccsdetroitstg.wpenginepowered.com/college-for-creative-studies-presented-the-show-2026-at-somerset-collection/ /wp-content/uploads/2026/04/DSC_0541-Edit-1-scaled.jpg /wp-content/uploads/2026/04/DSC_3771-Edit.jpg /wp-content/uploads/2026/04/DSC_4200-Edit-scaled.jpg /wp-content/uploads/2026/04/AmberZundelRoberts-7841-scaled.jpg /wp-content/uploads/2026/04/DSC_5534-Edit-scaled.jpg /wp-content/uploads/2026/04/DSC_3288.jpg /wp-content/uploads/2026/04/DSC_3518-scaled.jpg /wp-content/uploads/2026/04/DSC_3664-scaled.jpg /wp-content/uploads/2026/04/AmberZundelRoberts-7849-scaled.jpg /wp-content/uploads/2026/04/DSC_0769-scaled.jpg /wp-content/uploads/2026/04/DSC_1899-scaled.jpg /wp-content/uploads/2026/04/AmberZundelRoberts-7772-scaled.jpg /wp-content/uploads/2026/04/AmberZundelRoberts-7744-scaled.jpg /wp-content/uploads/2026/04/DSC_5029-Edit-scaled.jpg /wp-content/uploads/2026/04/DSC_4895-Edit-scaled.jpg /wp-content/uploads/2026/04/AmberZundelRoberts-7876-scaled.jpg 鈥淔uture Fantastic鈥 showcased emerging designers shaping fashion through material, narrative, and form DETROIT, MI […]

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鈥淔uture Fantastic鈥 showcased emerging designers shaping fashion through material, narrative, and form

DETROIT, MIThe 黑料专区 (黑料专区) Fashion Design Program presented The Show 2026 on Sunday, April 26, at the Skywalk at Somerset Collection. The annual runway show brought together industry leaders, tastemakers, and the creative community for an evening of new work from emerging designers.

The Show featured over 100 looks from junior and senior students in apparel and accessories design. The evening included a VIP reception followed by the runway presentation at 8 p.m. Collections by Senior Designers Izzy Abohasira, Mar Bissada, Hayden Brice, Maxwell Honeycutt, Falina Jimerson, Griffin Mesner, Sarah Nofar, Ryan Putnam, Veronica Wardowski, and Emma Wisler, and Junior Designers Quade Feller, Luka Gall茅, Santino Giglio, Bryn Hazen, Athan Hillman, Megan Hotchkiss, Sophia Jensen, Lilly Steele, and Bryce Truby, explored personal narrative, cultural history, and speculative futures, blending traditional craftsmanship with advanced fabrication.

The event welcomed 354 guests. Notable attendees included Chuck Bennett, Fox 2 News Style Ambassador; Stephanie Chang, Michigan State Senate; Diana Costescu, Tapestry; Stuart McMillan, Banana Republic; Millie de La Valette, Louis Vuitton; Owen Davenport, General Motors; Gretchen Davidson, Former Chair of the National Council of Arts and Culture; Ben Ewy, Carhartt; Ralph Gilles, Stellantis and 黑料专区 Board of Trustees; Danialle Karmanos, Mad Dog Technology and 黑料专区 Board of Trustees; Simion Kayiwa, Herm猫s; Drew Little, Fear of God; Donald Manvel, 黑料专区 Board of Trustees; Barbara May, B. May Bags; Heaven Montero, LITO; Silvia Prada, Kate Spade; Tracy Reese, Hope for Flowers; Tiffadelic, Artist; Tiff Massey, Artist; Mario Moore, Artist; Ken Walker, K. Walker Collective; Ash Hanson, Nike; and Chris Webb, General Motors.

This year鈥檚 theme, 鈥淔uture Fantastic,鈥 focused on the intersection of contemporary fashion and forward-looking design. Drawing on the material language of contemporary runway and the cinematic minimalism of Stanley Kubrick鈥檚 2001: A Space Odyssey, the presentation created an environment defined by light, reflection, and precision.

鈥淲e鈥檝e created a kind of laboratory for fashion at 黑料专区. Here, students experiment, take risks, and develop their own design language,鈥 said Aki Choklat, Linda Dresner Endowed Chair in Fashion Design, 黑料专区. 鈥淭hat same interdisciplinary approach extends across the College. New programs like our Fashion Business Management BA prepare students to meet the demands of a global, rapidly evolving industry. The Show reflects that process through collections that are highly individual, technically resolved, and grounded in innovation and making.鈥

The runway, designed in collaboration with 黑料专区鈥檚 Interior Design department, transformed the Skywalk into a spatial installation. Suspended frames, projected light, and reflective materials defined the setting, while metallic surfaces and industrial sheeting caught and diffused light as models moved through the space.

鈥淲hat better way to mark our 30th anniversary than by hosting the 黑料专区鈥 The Show, spotlighting the next generation of fashion,鈥 said Nate Forbes, managing partner of The Forbes Company and member of the 黑料专区 Board of Trustees. 鈥淎s an institution defined by vision, design, and excellence in craft, it鈥檚 only fitting that our signature skywalk becomes a runway for such a remarkable event.鈥

The presentation emphasized a rigorous, studio-based approach to design at 黑料专区, where students develop work from concept through execution. The resulting collections were highly individual, technically resolved, and grounded in both innovation and making.

The Show continues to serve as a platform for emerging designers, connecting students with recruiters, press, and industry professionals. As Detroit鈥檚 creative ecosystem expands across design, fashion, and cultural production, the runway positions 黑料专区 as a key site of talent development.

About Somerset Collection
Somerset Collection is located on the corner of Big Beaver Road and Coolidge in Troy. A 700-foot-long glass-enclosed moving skywalk spans Big Beaver, connecting Somerset North with Somerset South. Anchored by Neiman Marcus, Nordstrom, Saks Fifth Avenue, and Macy鈥檚, Somerset Collection is home to more than 180 stores and restaurants. Information about center or store-specific events, as well as store hours, can be found at thesomersetcollection.com.

Based in Southfield, Michigan, The Forbes Company (theforbescompany.com) is a nationally recognized owner, developer, and manager of iconic regional shopping centers, recognized throughout their respective markets for their retail innovation, fashion leadership, distinctive architecture, and luxury appointments. In addition to Somerset Collection, these properties include: The Gardens Mall in Palm Beach Gardens, Florida; The Mall at Millenia in Orlando; and Waterside Shops in Naples, Florida.

About the 黑料专区
The 黑料专区 (黑料专区) is a nonprofit, private college accredited by the Higher Learning Commission and authorized by the Michigan Department of Education to grant Bachelor鈥檚 and Master鈥檚 degrees. 黑料专区, located in midtown Detroit, strives to provide students with the tools needed for successful careers in the dynamic and growing creative industries. 黑料专区, named an Opportunity College by the Carnegie Classifications, fosters students鈥 resolve to pursue excellence, act ethically, engage their responsibilities as citizens and learn throughout their lives. With world-class faculty and unsurpassed facilities, students learn to be visual communicators who actively use art and design toward the betterment of society. The College is a major supplier of talent to numerous industries, including transportation, film and animation, advertising and communications, consumer electronics, athletic apparel, and many more. Its graduates are exhibiting artists and teachers, design problem solvers and innovators, as well as creative leaders in business.Selected Designer Collections
The collections in The Show 2026 explore identity, material, and narrative through diverse perspectives. Izzy Abohasira reimagines Western iconography, while Marwa Bissada examines love and division through the Berlin Wall. Hayden Bryce merges maritime and heritage craft, and Arturo Chaney develops a futuristic language shaped by technology and nature. Falina Jimerson builds a mythological world, while Maxwell Honeycutt reinterprets Mediterranean craft traditions. Griffin Mesner draws from Detroit鈥檚 sports history, and Sarah Nofar reflects on immigrant identity. Ryan Putnam explores the body through sport and sexuality, Veronica Wardowski channels Detroit鈥檚 industrial and musical legacy, and Emma Wisler examines performance and self-presentation.

Izzy Abohasira
Izzy Aboasira鈥檚 collection, No Country for Men, draws inspiration from spaghetti and neo-western films. It imagines a posse of outlaw women navigating the American West in the late nineteenth century. Films such as The Good, the Bad and the Ugly, Django Unchained, and Tombstone influenced the work. The eight-piece collection translates cinematic storytelling into fashion, envisioning garments repurposed from men鈥檚 clothing taken in battle. It uses traditional menswear materials like leather, fur, heavy wool, and pinstripes. The designs have distressed finishes and frayed textures that evoke the harsh realities of frontier life. Through No Country for Men, Abouasira reinterprets Western iconography to explore rebellion, survival, and female autonomy.

Marwa Bissada
Marwa Bissada鈥檚 collection, Romeo and Juliet 1989, explores love, distance, and resilience. She uses the symbolic lens of the Berlin Wall, combining this with Shakespeare鈥檚 story of star-crossed lovers. Inspired by her father鈥檚 time in Berlin, while the wall was still standing, Bissada reimagines five scenes from Romeo and Juliet鈥揺ach presented as a pair of menswear and womenswear looks, for a total of 10 garments. The collection features 1980s silhouettes and highlights the emotional divide of the wall. Light, romantic materials鈥搄ersey knits, sequins, chiffon, and silk鈥搒it alongside her signature denim. Clean construction and a modern edge balance the softness of the fabrics, offering a contemporary interpretation of love enduring across borders.

Hayden Bryce
Hayden Bryce鈥檚 collection, Harborlands, draws from London鈥檚 canal boat culture and the northern Michigan landscape, reflecting the designer鈥檚 connection to both regions. This six-look collection merges British maritime influences with American heritage style. Apparel, footwear, and bags are constructed using traditional shoemaking and leatherworking techniques. Materials such as distressed canvas, braided leather, and rugged hardware establish the utilitarian character of life on the water. Sweaters, hand-knit by the Black Sheep Knitters Guild, further highlight the craft emphasis. Harborlands weaves together nautical references and heritage techniques, creating designs shaped by place, material, and personal history.

Arturo Cheney
Arturo Chaney鈥檚 collection, Subsystem, explores a personal vision of futurism, shaped by imagination, that focuses on the intersection of technology and nature. Influences include video games, science fiction films, and the futuristic design language of the 1990s. Drawing inspiration from Syd Mead and Robert Valli, Chaney creates fluid forms that evoke both biological structures and advanced technologies. The eight-piece collection features sculptural accessories shaped by extensive 3D modeling and CAD processes. Boots, bags, eyewear, and harnesses are crafted in leather, steel, and silver鈥攎ainly in white and gray. Through Subsystem, Chaney imagines a speculative future of safety, inclusivity, and new forms of identity.

Falina Jimerson
Falina Jimerson鈥檚 collection, TYTO, tells a story rooted in worldbuilding, imagining a society shaped by owls. This six-look collection introduces archetypal characters鈥揳 royal, a doctor, an assassin鈥揺ach representing a role within a fictional revolution inspired by owl mythology and the narrative world of Owls of Ga鈥橦oole. Garments are constructed from natural materials such as wool, silk, and linen, with draping, pleating, embroidery, and feather elements referencing owl anatomy and movement. Airbrushed burn marks and distressed details suggest conflict and transformation, while elegant silhouettes unify the narrative-driven designs. Through TYTO, Dimerson explores how fashion can serve as a vehicle for symbolism, character, and speculative storytelling.

Maxwell Honeycutt
Maxwell Honeycutt鈥檚 collection, Sabiha Mati, draws on his Maltese and Greek cultural heritage to reinterpret Mediterranean craft traditions. The collection鈥檚 name combines the Maltese word for 鈥渂eautiful鈥 and the Mediterranean symbol of the evil eye, exploring themes of beauty and protection rooted in this lineage. Drawing on mosaic tiles, lace-making, and macram茅, the six-look collection translates traditional techniques through modern processes, including 3D-printed fabric and laser cutting. Silk organza and chiffon dominate the construction, emphasizing texture, movement, and layered craftsmanship, while experimental textiles combine symbolic Mediterranean motifs with contemporary techniques.

Griffin Mesner
Griffin Mesner鈥檚 Mesner collection draws on his lifelong connection to hockey and family, translating the sport鈥檚 history into a series of leather accessories. Inspired by Detroit and attending Red Wings games with his parents, Mesner references vintage goalie masks, early protective gear, and archival hockey materials. The six-look collection features footwear and bags made primarily from leather, treated and distressed to evoke mid-century wear through oiling, tuck marks, and raw edges. Minimal hardware keeps the focus on material and craftsmanship. Mesner combines personal memory and sports heritage to create work rooted in tradition, durability, and familial bonds. As Mesner explores Detroit鈥檚 sporting legacy, another creative perspective draws inspiration from the city鈥檚 industrial and musical heritage.

Sarah Nofar
Sarah Nofar鈥檚 collection, 13643 Deluxe Market, is inspired by her Iraqi grandmother鈥檚 immigration to Detroit and the family market named in the title. Nofar imagines how her grandmother鈥搘ho dreamed of designing fashion鈥搈ight have created accessories for Detroit鈥檚 Seven Mile neighborhood in the late 1960s. The designer reinterprets family and cultural history through a contemporary design lens. This seven-look collection spotlights footwear and handbags primarily in leather. Techniques include draping, lacing, embossing, and beading, each inspired by Chaldean Catholic traditions. Through 13643 Deluxe Market, Nofar merges family narrative, Detroit history, and material experimentation to honor the resilience of immigrant women.

Ryan Putnam
Ryan Putnam鈥檚 collection, Round 2, explores the intersections of sexuality, confidence, and movement, using the visual language of contemporary sportswear. Inspirations include 1980s and 1990s athletic apparel, lingerie, and Nicolas Ghesqui猫re鈥檚 Balenciaga. The collection, comprising six looks, emphasizes the body and its expression. Stretch materials鈥搉eoprene, Lycra, spandex鈥揷ontour garments closely to the body鈥檚 form. Hardware elements such as grommets, ties, and cinch cords allow for adjustable openings that reshape the silhouette. Unconventional materials, even basketball netting, challenge accepted notions of luxury. Putnam reflects on his Midwestern upbringing and personal journey toward self-expression through these designs.

Veronica Wardowski
Veronica Wardowski鈥檚 collection, City of Firsts, draws on Detroit鈥檚 legacy of innovation, exploring the city鈥檚 industrial history alongside the rise of Detroit techno. The eight-piece collection references both the 1920s automotive boom and 1990s underground music culture, merging industrial materials with architectural silhouettes inspired by the skyline. Wardowski uses leather, secondhand faux fur, chains, and metal hardware, with modular construction that allows pieces to be reconfigured. Garments feature hand-cut metal fringe, pleated corsetry, and 3D-printed rave boot heels wrapped in duct tape, evoking assembly-line aesthetics and techno鈥檚 DIY ethos. Designed to create strong silhouettes that take up space, the collection centers women鈥檚 wear as a vehicle for presence and power, while modular elements and metal 鈥渇abric鈥 introduce movement and sound, reflecting Detroit techno鈥檚 experimental approach to making.

Emma Wisler
Emma Wisler鈥檚 collection, Who Are You When You鈥檙e Not Performing?, explores the tension between authenticity and self-presentation. Exaggerated silhouettes and visual illusion heighten this theme. Ballet and research on Venetian carnival masks influence her approach, prompting a close examination of how people amplify certain aspects to hide vulnerability. The seven-look collection is dominated by dresses in a stark black-and-white palette. Structured pleats and sculptural forms range from minimal to dramatic. Garments use polyester dupioni, crinkle crepe satin, and felt bases with taffeta lining. As each look builds in volume, the final design expands on the collection鈥檚 ideas about performance and identity.

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黑料专区 Appoints Allison J. Puff as Next Provost /college-for-creative-studies-appoints-allison-j-puff-as-next-provost/ Thu, 30 Apr 2026 04:00:00 +0000 https://ccsdetroitstg.wpenginepowered.com/college-for-creative-studies-appoints-allison-j-puff-as-next-provost/ Photo Credit: Ashley Story黑料专区 has named Allison J. Puff as Provost and Vice President for Academic Affairs, effective July 15, 2026. ###DETROIT, Mich., April 30, 2026 鈥 […]

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Photo Credit: Ashley Story
黑料专区 has named Allison J. Puff as Provost and Vice President for Academic Affairs, effective July 15, 2026
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###DETROIT, Mich., April 30, 2026 鈥 The 黑料专区 (黑料专区) has named Allison J. Puff as Provost and Vice President for Academic Affairs, the institution鈥檚 chief academic officer. Puff brings a distinguished record of academic leadership, most recently serving as Executive Vice President of Academic Affairs and Interim Co-President at the Kansas City Art Institute (KCAI).

Puff is an educator and academic leader who has spent her career at the intersection of creative practice and higher education. She is recognized for her ability to navigate institutional change, align academic priorities with strategic enrollment and retention strategies, and champion inclusive student-centered practices. As 黑料专区鈥檚 Provost, Puff will lead the institution鈥檚 academic vision, strategy, and operations, overseeing all degree-granting majors, academic departments, and student success resources.

黑料专区 President Don Tuski shared, 鈥淭he 黑料专区 community is thrilled to have Allison Puff join 黑料专区 as Provost and Vice President of Academic Affairs. Allison brings an amazing array of skills and abilities to 黑料专区 at a critical time for us. I am looking forward to working with her on many initiatives.鈥

At KCAI, Puff co-led the institution through a strategic transition and oversaw a $13M+ academic budget. Under her leadership, KCAI achieved record enrollment for the 2024鈥2026 academic cycles and improved first-year fall-to-spring retention from 90.4% to 93.5%. She developed the initial vision for KCAI鈥檚 Art+Design Labs, guiding its implementation and contributing to a 450% increase in non-credit offerings. Prior to KCAI, Puff held numerous leadership roles at Farmingdale State College, the largest of the State University of New York鈥檚 (SUNY) applied science and technology colleges.

鈥淚鈥檓 excited to join the 黑料专区 at such an important moment,鈥 said Puff. 鈥満诹献区鈥檚 commitment to access and opportunity, combined with the strength of its academic programs, creates a powerful foundation for what creative education can be. I鈥檓 looking forward to working with faculty, staff, and students to build on that momentum.鈥

Over the past three years, 黑料专区 has aggressively expanded its mission to inspire creative potential across all backgrounds. Key initiatives include accelerated bachelor of arts programs for creative business careers, new transfer pathways, expanded experiential learning, and its Apple Academy partnership. Puff鈥檚 leadership will be instrumental in sustaining this momentum as 黑料专区 enters its next phase of transformation.

Puff earned an MFA in Illustration as Visual Essay from The School of Visual Arts and undergraduate degrees in English and Communication, and Illustration. She is the recipient of the SUNY Chancellor鈥檚 Award for Excellence in Teaching, the Farmingdale Foundation Award for Excellence in Teaching, and a Faculty Leadership Award at Farmingdale State College. Her professional service has included national leadership roles with the American Institute of Graphic Arts (AIGA) National Design Educators Community and the Cooper Hewitt, Smithsonian Design Museum Education Board.

ABOUT THE COLLEGE FOR CREATIVE STUDIES
The 黑料专区 (黑料专区) is a nonprofit, private college accredited by the Higher Learning Commission and authorized by the Michigan Education Department to grant Bachelor鈥檚 and Master鈥檚 degrees. 黑料专区, located in midtown Detroit, strives to provide students with the tools needed for successful careers in the dynamic and growing creative industries. 黑料专区 fosters students鈥 resolve to pursue excellence, act ethically, engage their responsibilities as citizens, and learn throughout their lives. With world-class faculty and unsurpassed facilities, students learn to be visual communicators who actively use art and design toward the betterment of society. The College is a major supplier of talent to numerous industries, such as transportation, film and animation, advertising and communications, consumer electronics, athletic apparel, and many more. Its graduates are exhibiting artists and teachers, design problem solvers and innovators, as well as creative leaders in business.

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鈥淕ot Something to Say?鈥 鈥 Changemaking Alumni in Politics /changemaking-alumni-in-politics/ Mon, 06 Apr 2026 04:00:00 +0000 https://ccsdetroitstg.wpenginepowered.com/changemaking-alumni-in-politics/ These alumni use their skills to serve others, share important information, and affect change in their local and state governments The stories and artistic expressions presented here are a testament […]

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These alumni use their skills to serve others, share important information, and affect change in their local and state governments

The stories and artistic expressions presented here are a testament to the diverse and independent careers of our alumni. They do not constitute an endorsement, reflection, or representation of the institutional opinions or principles held by the 黑料专区.

Leading by Example

As a State Representative for Michigan鈥檚 13th House District, Mai Xiong, 鈥07 Communication Design & Strategy, still uses the skills she learned at 黑料专区 nearly 20 years later in her role as an elected official. 鈥満诹献区 taught me how to think creatively, approach problems from different perspectives and develop real-world solutions,鈥 Xiong said. In her current role, Xiong serves residents of Roseville, St. Clair Shores and Warren, working on legislation that improves their quality of life. Her communications and digital marketing background help her stay connected with constituents and make policy more accessible. 鈥淔inding creative ways to communicate is a powerful tool because when people understand policy, they can help shape solutions that truly improve our lives,鈥 she said.

www.ccsdetroit.edu/wp-content/uploads/2026/04/Mai-Xiong_2.jpeg Mai Xiong 鈥07

Every Vote Counts

Voting is one the best ways to make your voice heard, and these creatives are communicating that message through their art. Ndubisi Okoye, 鈥15 Communication Design & Strategy, painted a colorful 鈥淰ote鈥 mural on the ACLU Michigan building in Detroit, as part of their 鈥淵our Vote Matters鈥 campaign. Sean Peacock, 鈥22 Illustration, was tapped by Merch Aid 鈥 a social enterprise that pairs creatives with nonprofit organizations to design fundraising merchandise 鈥 to make a Michigan-inspired design for their 鈥淕et Out the Vote鈥 swing states campaign. Peacock highlighted the workers powering Michigan鈥檚 automotive industry as well as the United Auto Workers union. 鈥淟aborers in all industries, unionized or not, had a lot riding on the 2024 election, so I wanted them to be the stars of this piece,鈥 Peacock said. His design was on shirts and posters, available for sale on Merch Aid鈥檚 website. All profits were donated to the nonprofit.

www.ccsdetroit.edu/wp-content/uploads/2026/04/Sean-Peacock-scaled.png Work by Sean Peacock 鈥22

When We All Vote

From the big screen to the Capitol Julia Pickett, 鈥14 Photography, has proven that using pop culture as a vehicle for political messages can help people feel more connected to their legislators. In 2023, Pickett, who is the Digital and Creative Director for the Executive Office of Gov. Gretchen Whitmer, created the 鈥淕overnor Barbie鈥 social media campaign. A Barbie doll, lovingly dubbed 鈥淟il Gretch,鈥 was used to share Gov. Whitmer鈥檚 policies while nodding to the 2023 Barbie film. Every detail, Pickett says (the fuchsia pantsuit, matching lipstick and Michigan necklace, to name a few), was made to capture Gov. Whitmer鈥檚 style and work. 鈥溾楪overnor Barbie鈥 gave us a way to highlight real policies and accomplishments in a way that people wanted to share and talk about it,鈥 Pickett said. Indeed, Lil Gretch gained both local and national recognition, and the campaign won Pickett and her colleagues a Shorty Award. When planning content for Gov. Gretchen Whitmer鈥檚 office, Julia Pickett says authenticity drives everything she does. 鈥淕overnor Whitmer has such a relatable, direct way of connecting with people, and my job is to make sure that shines through online,鈥 she said.

www.ccsdetroit.edu/wp-content/uploads/2026/04/Julia-Pickett_5-scaled.jpeg www.ccsdetroit.edu/wp-content/uploads/2026/04/Julia-Pickett_7-scaled.jpeg Work by Julia Pickett 鈥14

Designing for Community

Ivonne Serrano, 鈥22 Communication Design & Strategy, Visual Communications Designer for the Executive Office of Gov. Gretchen Whitmer, made the above graphic for a social media series explaining how tariffs impact individuals at every stage of life, such as when becoming parents. 鈥淭his graphic was a way to say, 鈥榃e hear you and we understand,鈥欌 Serrano said. 鈥淲e also wanted to reassure families that while we can鈥檛 control tariffs, Michigan is still providing support through programs to help with the burden.鈥

www.ccsdetroit.edu/wp-content/uploads/2026/04/Ivonne-Serrano-scaled.jpg Work by Ivonne Serrano 鈥22

Humanity at its Core

Throughout her career, Leila Matta, 鈥01 Communication Design & Strategy, has led with a 鈥渉uman-centered design鈥 approach. 鈥淗uman-centered design is a problem-solving technique that puts people at the center of the process, enabling us to create products and services that resonate and are tailored to our users鈥 needs,鈥 Matta said. Today, she is one of the federal government鈥檚 first human-centered design strategists, working for the U.S. Citizenship and Immigration Services鈥 Innovation and Design for Enhanced Adjudication office. There, Matta has led user research initiatives and formed spaces for designers across divisions to connect.

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